contemporary

The Circle Table explores several vignettes of threading characters and relationships via FaceTime/phone calls and dives into the question: How does digital communication hamper or enhance analog life components like love, family, depression, self-exploration and fulfillment?

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A FAMILY SHOW that'll make you laugh and cry but most importantly, for the times we live in, leave you with a strong set of rules to cope with the world. Done with a lot of humor.

"Three's Company" meets "That 70's Show" meets "Shameless". Skip, Lexi, and Byron gotta find someone to sublet their apartment and they gotta find it fast. When an unsuspecting guest shows up, their hopes, wishes, and dreams for the perfect roommate goes mysteriously awry.

Satire that comes at the issue of climate change from the perspective of both human and non-human entities.

Based on her conservative upbringing in St. Louis, Missouri, MEET ME IN MIZZERY is a one-woman show written and performed by Lindsey Mallard. Directed by Nate Sherman. Produced by Conor Hanney.

While traveling from planet to planet, The Little Prince tells us the story of different characters's lives. What is it under their stories, it's not just the words - it's always something deeper and wiser, hidden under the lines.

'Ghost Town' is a solo performance about the Anglophone Crisis in the West African nation of Cameroon.

When his five year old nephew carelessly hurls a racial epithet at his partner, a man sets fire to his relationship with his sister, setting into motion a series of events that have tragic consequences for both of their families.

*coming soon*

Interrupted (Speech) is a one-act play that follows the lives of two gay characters who examine their history, identity, memories, and sexuality. It is both a coming of age story and an identity piece told primarily through monologue and movement.

A single mother and devout Pentecostal Christian struggles to keep her only son from turning away from their faith. When an injury leads him down the path of opiate addiction, she must come to terms with the fact that God can't save everyone, as she fights for her son's life.

Lizette has always been one to play by the rules of society. With a mother who always knows best, she finds herself having difficulty separating her choices from what's expected from her. On her own for the first time, Lizette is faced with questioning her identity and beliefs.

It's time to move on... if only they could get out.