SO FUCKING FUN! Soleil is a genius conceptualizer and an insane performer. As a lover of videogames (especially JRPGs) and anime tropes, Don’t Kill Daisy delivers on everything it promises and more. Full of physical comedy, great prop work, SO MUCH great audience work, irreverent writing, an insanely chaotic story structure held together by the ever-changing yet still somehow logical rules of this world-Don’t Kill Daisy is nonstop entertainment executed so simply and beautifully. This h... full review

Very funny energetic play. Quite ribald. Good acting.... full review

A ton of fun. Pre scripted scenarios allow Daisy to improvise off of audience interactions. The audience was getting really into it, rightfully so.... full review

A well-acted production with particularly strong chemistry among the female cast. The ensemble brought a sense of authenticity and connection to the material that made the relationships believable and engaging. The company also deserves credit for creating a polished, fully realized production despite the challenges of loading in for each performance. Kudos Unbridled!... full review

Cara’s one woman show is so personal and hilarious. I absolutely love that she took something that made her feel shame through no actions of her own, and absolutely took her power back from the pervs who showed her their unsolicited dick picks. She is an original artist who faces her truth head on and delights us in exposing it. So funny, so vulnerable, so so memorable.... full review

perfect campy, hilarious delight! amazing acting and writing and directing. ... full review

Brilliant, sickening, and wickedly funny. Can't take your eyes off Ruby as she gives you such a vulnerable performance. ... full review

It was silly, fun, chaotic, and no one missed a beat!... full review

Moyamoya Baby was a dynamic re-telling of Nilsa's dating origin story, however, it finds the heart of a Nilsa that yearns company while thriving in independence. The piece is a cuddle to the audience that embraces an actress that is not only dealing with past diagnoses, but also present consequences of a brain that is more than active. It is stroking. The literal strokes that Nilsa presents paint a story that can be heart-breaking, but it is heart-healing to audience and to her. This piece is one... full review

Overall, it's a fun, unpretentious show that leans fully into its own silliness — the kind of production that just wants you to have a good <a href="https://repuveconsultaciudadana.com">time</a>, and largely succeeds.... full review

Incredible. I was totally captivated the whole time. I love how the writing & acting was so good, the minimal set & props didn’t hinder the immersion of the experience at all. Seriously so fun & allowed me to entirely escape reality for an hour ish. Couldn’t really predict how it was going to go, which made it that much more fun. ... full review

I'm not entirely sure what I just saw, but I am entirely sure I laughed almost all the way through it. Tyler Foltz has created a funny, over-the-top, ridiculous, and somehow still moving and relevant show. You think it's going to be him channeling his inner Marx brothers, but then he hits you with social commentary and a villain to compete with Gattica. I was taken to this by a friend and had no idea what I was getting into, and I'm glad she did that to me.... full review

Honestly I didn't know what to expect when I arrived. Didn't help I was a few minutes late. But the moment I got seated I was in for a treat. I've never been to a clown show but I definitely feel like this set the bar really high for all the future ones I go to. The audience participation is what sold me. The fact that so many people were ok with going up and how effortlessly Alex had command of the stage was solid work. I can't wait to go watch it again on the 20th.... full review

I loved this show! Sara's a really gifted comedienne who never stops being present with the audience and that extends to audience participation as well as just moment to moment in her monologues. She's ridiculous, I cried laughing.... full review

Fabulous performances, exceptional writing, and wonderful staging of five different critical stories of our time. It is a well rehearsed, carefully thought out and profound piece of theater. Told through five evocative stories this play will leave you wanting to continue the conversation with your friends after the show.... full review

Hilarious theater trip. Miss Tuesday's character assaults the audience with machine gun rapid fire verbal insanity, laced with vocals of pop music of the stars she stalked! Amazing that Tuesday could memorize so many pages of script for this one-woman performance! Her side kick, a stuffed dummy, posing as her alter ego interviewing herself, adds to comedic chaos ! DON'T MISS THIS SHOW !... full review

The author's description of the show includes the words "unsettling" and "disturbing". These are accurate descriptions. The Hollywood Fringe hasn't even officially opened yet, but I'm pretty certain this show will be the one that will have affected me the most. The show is entirely from the perspective of an stalker and you very much end up in the mind of a stalker. At the end, the audience looked around at each other and asked each other, "was that a real story?" None of us knew the answe... full review

This was such a fun sexy time!! The ensemble of it all was so enjoyable and so clearly skillfully put together.... full review

Gobsmacked. I want to see the movie version of this show, please. ... full review

This show is funny, high-energy, visually striking and ultimately a really beautiful illustration of grief. Kathleen is an excellent performer who kept me rapt the whole time. Perfect Australian accent. Broadway caliber singing voice. ... full review