Solo Show

Charley, a registered nurse, edutains through tunes and tales about what really happens in a hospital. She came to terms with her life as a nurse, and how through advocating for her patients she learned to advocate for herself.

Jo has been called a lot of things during her life - but which ones are true? And who gets to decide that?! In this comedy (with a few heart wrenching turns), we follow her from ages 5 to 50, as she tries to figure it all out. Nominated for Best Solo Play, Performer, and Director by Broadway World!

From growing up half-Jewish, half off-the-boat German in North Carolina to working as a showgirl in Italy, Jessica Abrams shares her journey in IF I LOOK THIS GOOD, WHY DO I FEEL LIKE SH*T? With the help of two imaginary mothers, she connects with who she truly is.

This fierce one-person retelling of BEOWULF modernizes the wit, vigor, and meaty language of the original epic. John Heimbuch performs Charlie Bethel's tour-de-force adaptation of this classic Old English poem about a warrior king and some famous monsters in this Minnesota Fringe Festival favorite.

Looking in the mirror, Maria finds nothing but flaws. Suddenly, she’s jolted out of her critical self-assessment by a familiar inner voice. Bev, Maria's late mentor invites herself onstage to partner with Maria to unravel that nasty self-doubt - and she’s comin' right outta that mirror to do it!

Erotic massages, professional cuddling, and seeing your own genitalia on a big screen TV? Get ready for a wild ride to find sexual satisfaction despite sexual dysfunction. In “Tight”, writer/performer Becky Feldman pulls back the covers on her private ordeals with chronic pelvic pain.

How my everyday life as a Hojo girl, Pathmark cashier, Santa Claus trainer, polka lover, kielbasy hunter, LA PTA President, 3-pt. shooter in a basketball league for moms 5’3” & under and a Tonight Show regular who “unexpectedly” got punched in the jaw on live TV…compelled me to write songs.

Welcome to Kristy's walk-in closet, where barbiturates can talk and wiffle ball bats can walk. Fame comes easy for Kristy in that walk-in closet. But this isn't a coming out of the closet story... more of a going in.

*WINNER* - CRITICS' CHOICE ENCORE *WINNER* - THE BEST SOLO SHOW *WINNER* - THE SPLASH AWARD *WINNER* - THE BEST ONE PERSON SHOW (LA THEATRE BITE AWARD) *WINNER* - PICK OF THE FRINGE *WINNER* - THE HOLLYWOOD ENCORE PRODUCERS’ AWARD *WINNER* - HOLLYWOOD FRINGE FESTIVAL SCHOLARSHIP

Gen-Z drag queen Aura Sublime unravels her neuroses until she's bare, then reconstructs her image, in this shameless, irreverent, and cutting 30-minute solo play.

What happens if everything you thought about yourself was a lie? You can take a girl out of Little Saigon, but you can’t take Little Saigon out of the girl. Not even with a DNA test. Sushi, Korean barbeque, Pad Thai…with Pho still on the menu. The search for identity has never looked so yummy.

When a college girl is admitted to a psych hospital, she wonders why she feels more at home with a truck-driving womanizer or a devil-fearing Zumba dancer than with anyone she knows outside the hospital. Could it be that the typically dark world of the psych ward is more forgiving than our own?

Written and performed by transgender artist Rebecca McGlynn (co-writer/lyricist/composer/producer of Top of the Fringe winner "My Big Fat Blonde Musical"), "Asexuality! The Solo Musical" is an autobiographical musical comedy about Rebecca's pre-transition life.

This Pulitzer Prize finalist play is an existential comedy...or maybe it’s not...about the beautiful mysteries of the human experience and what may happen when one holds on to them, never being able to make total sense of them, buries them — and then suddenly needs to talk about it all.

*Winner: Best Solo Performance: L.A. Drama Critics Circle Awards 2022* *Nominee: Top of the Fringe - HFF22* Beer. Liquor. Football. The three things Dog needs to get by. And right now, he needs a whole lot of each one. A dark comedy about a man coping with the death of his dog.