Ensemble

from the team behind the 2017 Hollywood Fringe International Award Winner & Pick of the Fringe, LADIES IN WAITING: THE JUDGEMENT OF HENRY VIII, comes their next project... Inspired by Louisa May Alcott's classic: Part biography, part adaptation, but definitely NOT your Marmee's Little Women!

*PICK OF THE FRINGE* Taking place in South Florida, an ironclad stone crabbing business owner (Ruth) takes a devastating blow when Hurricane Andrew hits in the Summer of 1991. In the weeks following, Ruth and her daughter Maybelline must confront choices which may change their lives forever.

****OFFICIAL WINNER OF THE HOLLYWOOD ENCORE PRODUCERS’ AWARD **** Pulse of the City is an electrifying glimpse into the lives that run through an, “every-mans city”, but what happens when stresses arise and we are pushed to far?

Bea and Valerie are BFFs who are total opposites. Valerie is bold and sex positive while Bea is awkward and neurotic. Their world gets turned upside-down when they meet a handsome, well-endowed stranger. Can these Asian women save their friendship while wrestling with questions of identity and race?

Nothing happens. Everything changes. (run time change: 90 minutes) In the 90s at a 24 hour diner with the irregulars and the waitstaff that endure them. New arrivals upset the delicate stasis. They're not searching for meaning, they're hiding from it. One night seen from inside then out.

What would happen if you invited all of your exes over for a dinner party and then never showed up? Sunday Night at Jane’s is an ensemble comedy that follows five guests and one bisexual ex and the chaos that ensues.

What happens when you find yourself trapped- alone, in a room with the last person you ever wanted to see again?

In 1936, producers searched to find an unknown to play Scarlett O'Hara in Gone with the Wind. This fully scripted creation unfolds in 10 moments incorporating stylized movement, dance, song, original text, several suitcases, and the great Scarlett dress. All accompanied by live percussion.

After five years of marital bliss, you'd think there would be no secrets left between Kevin and Stephanie Connolly. But when a super villain's zombie invasion interrupts their anniversary date, a hero's unexpected unmasking carries with it massive consequences.

By piecing together some of the Bard’s most famous text, the actors create their own unique Fractured Shakespeare monologues. Join us as we combine the words of Beatrice, King Lear, Lady Macbeth, Henry V, Katherina “The Shrew” and more, to explore issues of gender, power, identity, and love.

We all go to the woods for our own reasons. Imogen wants Frederick’s love. He wants to see a rare bird. Toby wants to find herself. Ranger Dave wants to help. Bear needs everyone to please remain calm. Nine crowded campers will take you to the campfire to ponder loneliness, gender, and great snacks.

On a ranch in Nevada, Grant Wilson rules a made-up nation through empty shows of power and ridiculous propaganda, with his family as his only subjects. When his son takes the mission too far and his daughter questions everything, Grant fights for control in the face of family, country, and reality.

The Circle Table explores several vignettes threading characters and relationships via FaceTime/phone calls and asks: How does digital communication hamper or enhance analog components of life like love, family, depression, self-exploration and fulfillment?

*PICK OF THE FRINGE* *BEST OF THE BROADWATER* In 1980, Lee Atwater was a scrappy Southern strategist. By 1990, he'd changed American politics forever. A new play about the legacy of the Bad Boy of the GOP, from the creators of HFF18 hits "Keeping Up With the Prozorovs" and "A Beast/A Burden".

Like a lot of people today, jaded campaign manager Tess Baker (think Jessica Jones meets Josh Lyman) is sick of politics. She’s just about ready to throw in the towel when somebody wakes up a candidate she can work with - Abraham Lincoln.