Female

An exotic dancer takes the stage to strip her life bare in this intimate, fully exposed tell-all musical portrait of one woman's journey to self love and happiness.

Recipient of The Encore Producers' Award, I Came to Make Noise is a hip hop feminist theatrical happening challenging the stereotype that women are expected to be quiet and agreeable.

Two plays, by Fringe favorite Alli Miller & renowned playwright Barbara Lindsay, remind us sometimes what's most important is what can't be seen. An incomparably engaging journey through one's loss of those they love & another's loss of their own reality. #inkfest18 official Fringe selection!

Betty, a recovered alcoholic everymom from middle America, packs up her life in preparation for an epic adventure to the red planet. Her memories, shared with unfiltered dry wit, will surprise and charm you.

Three best friends from high school, run aground on shitty jobs and instability in their early twenties, try to keep their adolescent love for each other alive while caring for a fourth friend who has become a powerful, ravenous, cave-dwelling entity. @crunchtheplay

A hilarious social satire about a woman who overworks herself until she goes mad! ...yay? Follow Jenine and a psychotic ensemble of characters - including her boss, family, Sponsors(tm), Satan and coworkers - as they collectively run her into the ground!

In perhaps the first recorded piece of theater in the western canon that passes the Bechdel test, Euripdes tells a story of women stronger than Gods. Using movement, language, and contemporary vision, Project Nongenue’s Trojan Women tackles building community in times of violence.

Lady Farts is an exploration of two women's journeys from childhood to adulthood, as non-conforming, slightly awkward, mostly outrageous "ladies." Covering everything from sexuality to religion to mental health to addressing the expectations of what women should be in today's society.

This is the way the world ends. You have been selected for a post-apocalyptic journey to Unreal City, to escape a destroyed world. A fully immersive and interactive, intimate and challenging new experience based on The Wasteland & other works of TS Eliot.

Amanda, the star of a new play and superstar in her own head improvs, breaks the 4th wall, and drinks on stage in this play within a play. Amanda The Barbarian is a love-letter to the theatre and to all the deluded people we know who hijack every production.

"He's the victim, Nick, and I'm the drunk girl." After the music has died, the red cups trashed, the gavel’s fallen and the sentence passed down - what remains?

Follow the revealing journey of three Yoruba goddesses as they grapple with the responsibility of creating a guide for black women trying to survive in a world that doesn't always allow them to thrive. *2018 Fringe Fest Scholarship Winner*

Senorita Monthly Juice is an absurd comedy that follows plant worker, Adelina, as she negotiates between her roles as a faithful “blood-worker” at a beauty startup and a mother concerned with the convoluted messages her very own company is televising out into the world.

There's more to strength than meets the eye. For best friends Tiffany and Molly, an unexpected turn of events causes them to reexamine their definitions. Follow these two women as they navigate the ever-changing tides of friendship and redefine what it means to be strong.

“Nobody’s Really Helped Me” is a one-woman musical comedy written and performed by Lanessa Long. It is made up of songs and stories about art and education, angst, identity, and encapsulates the melodramatic nature of being 22.