Touching

An original and contemporary storytelling by Los Angeles women of South Asian descent. From their honest and emotional hearts, they recall their upbringings, relive their disparate experiences and join together to celebrate Womanhood!

When a first date might be your last date, make it a good one.

Me, myself and I. But who am I really? Helema's inquiring mind wants to know. She is greeted by many challenges and obstacles as she takes that journey to understand her purpose in life. This is a fun, one-woman musical dramedy about self-discovery.

Intense and compelling, "If I’m Good", is a play that encapsulates the fever dream and the endemic existential crisis that we all went through at the height of the pandemic. The play looks at two people on either ends of the political divide and asks:” Why and How did we get here?”

When going through a break up, is social media the best way to guide us through the five stages of grief? Or is it just another relationship in which we lose ourselves?

A wisp, a witch, and a waitress all learn to live in an apartment where the souls are as overdue as the water bill. This sapphic saga of loving and loathing in a world of occultic observations proposes the query, just what or who are we willing to endure through life, death, love, and regret?

Living in solitude with inoperable stage four cancer, Sandra hires Jill, a young woman still finding her way in the world, to be her short-term caregiver and companion. The two women must put aside their differences and find common ground as they navigate the inevitable end of a human life.

MONSTERS re-queering tales told Queer people have had our stories ripped away. History rewritten by the patriarchy. Love shamed where it once blossomed. Power taken where it should thrive. What if we took back the narrative? Put the queer back in myth? What if we weren't monsters?

“OFFICIAL WINNER OF THE HOLLYWOOD ENCORE PRODUCERS’ AWARD" Lady Penelope, the Los Angeles laureate of iambic pentameter and rhyme, reflects on modern life through her wry, beautifully crafted Elizabethan sonnets, wrestles with her past demons, and refuses to emerge from her comfortable quarantine.

"O’Brien Directed by the respected Cameron Watson, this one-woman gem ... a heart-piercing, transformative wonder, meticulously put together & performed on an emotional edge that sneaks up on you & then leaves you floating out of the theater high on the surprising possibilities of life." LA Magazine

Not My Grandmother’s Daughter is a new work that explores the relationship a young woman has with her mother through the relationship she has with her grandmother. She interconnects the history of their hands through generations with the help of shadow, sound, and paper mache.

After spotting director Alejandro González Iñárritu at the Alta Dena Wholefoods, actress Lola Luvv is convinced it’s a sign she’s destined to play the lead in his TV show “The One Percent.” What follows is a manic ride of determination, desperation, ketamine and chickens.

It's a beautiful day for an ego death! Breakup Addict will take you on an emotional (and hilarious) rollercoaster, as Paige chases the high of heartbreak, battles her inner demons, and crashes head-first into a humiliating self-love adventure. "This woman is otherworldly good.” -NoHo Arts District

Through a series of lessons taught by a professional curmudgeon, attendees will delve into the nonsensical assumptions and behaviors of daily life. Examples of learning outcomes include: how math can prove anything, preservatives are better than Botox, and being right over happy is so choice.

Directed by Spencer Frankeberger A repressed nobody who thinks of himself as somebody. An addict. Who’s Afraid of Virginia Woolf played out between hummingbirds. And a pussy eating dog. This is Wounded. In this darkest of comedies, the bleak paths our lives can lead us down are on full display.