One Woman Show

What if that which you identify with suddenly disappeared? Who would you be then? Jannica lost all her hair to Alopecia within 6 months. Just like that. But her worst nightmare turned out to be a blessing. Sometimes you need to literally lose a part of yourself in order to find who you truly are.

SWIPED "APPily Ever After" is a modern day love story about about the life of Polly, a meticulous planner that finds herself manifesting her very first relationship using online dating apps and all the confusion, fear, and strangeness that comes along with it.

From medical assistant to magical assistant and then ultimately a cruise ship dancer. Typical Filipina, destined nurse. Then opportunity for a lifetime adventure barges through the door. How the heck did Pamela get from medical to magical? And made a career out of it? Come find out!

SELFIE is first a cabaret revue of eclectic '70s chanteuse, Minnie Riperton's music ("Lovin' You") that spans the genres of soul, funk, folk, and rock. Second, it's a celebration of the ego of singer/songwriter Aisha Kasmir, and her fight to play any part and be seen in a white-washed world.

A fairytale serio-comedy of one damsel’s journey to a different kind of Happily Ever After. Follow an unorthodox fairy godmother as she travels down the rabbit hole of intimate partner abuse and trauma bonding. (Triggering sexual content, usage of prop gun).

Squeeze My Cans is back for the final run in LA.A true journey in to and out of Scientology through the rabbit hole of this infamous cult, representing an everyday woman’s story of a young adult searching for her place and purpose in life which is moving, hilarious, heart-breaking and redemptive.

Dark humor and raw narrative. Modern dance, en pointe ballet, and a live string duo. Alive-ish tracks the chaos and challenges of a young woman’s journey. In association with the Female Playwrights Initiative. Proceeds will benefit the American Foundation for Suicide Prevention.

'Ghost Town' is a solo play about the Anglophone Crisis in the central African nation of Cameroon. Written, produced and performed by Constance Ejuma and directed by Jude Yong, the show explores the conflicting political ideologies which are leading the country towards a civil war.

A metamorphosis of one woman who decides to stop treading in the water's of the past and finally learns to fly in a loving relationship with herself in the present. Told in original spoken word and song, we journey from a nymph in the water to a dragon in sky.

"Learn to Love Goodbye" is an hour of original music by Darcy Rose Byrnes . She plays and sings her songs on piano, ukulele, guitar and ruan. Darcy Rose is the speaking and singing voice of "Princess Amber" on Sofia the First and "Maricela" on Spirit: Riding Free.

BECOMING PEACE, a One Woman Rhythmic Dramedy about Power, Culture, Violence and Nonviolence - explores the little known Power and Possibility of Nonviolence (Satyagraha/Ahimsa/Peace) - and just how much Life and the World can transform when we "attack the wrong and not the wrongdoer!"

Join Vanessa’s inner creatures on the flight of her life! Uprooted eight times for her father’s career, Vanessa faces an eating disorder that withers away her roots. Full of adventure, triumph and heartbreak; Uprooted is Vanessa’s resilient journey to find home.

CATHARSIS is a solo show created to process one’s personal journey towards self-recognition amidst the (de)stabilizing effects of adoption. Megh invites audiences to occupy her [head]space as she uses poetry, movement, and sound to remember her histories and explore her futures.

“SugarFree: Foster Care Cognitive Dissonance” is a solo show that combines psychology, poetry, personal narratives, humor, and lived experiences into a creative theatre play that will grab at the heartstrings. Learn more at SugarFreeFosterCare.com

Victim or accomplice? Trapped or willing agent? Melania Trump is an enigma. This comedy show aims to explore the various faces of FLOTUS, who really doesn’t care. Or does she? Do u? What are some of the stereotypes women exploit or fight to reverse? What is our complicity as the audience?