Solo Show

Michael begins this piece with the uncomplicated consequence of overindulging in sensual “me time", and springboards us into a confronting journey of self-discovery, sexploration, and heartache. Funny, raunchy, witty, and painfully honest, cum find out where Dickin' Around might take you.

Imagine you only had minutes to decide what to take before your house burns down. What would you grab? Michael David Ker took his family photos, his surfboard, and sense of humor…The fire was just the grand finale of a year full of loss. A deeply personal show is full of humor, heartbreak, and hope.

Dreams are for losers. MaryLee, 'Princie', knows, she's been dreaming all her life. Now in her 50's, she's finally determined to ditch the dreaming and start being a do-er to create a fulfilling life she's always wanted. Before she can succeed, a few people in her life are going to have to go.

After a drunk driver killed both his teenage children, Colin Campbell channeled his shock, anguish and rage into this tragic-comic exploration of our culture’s inability to talk about grief. Comedic and heartbreaking, profound and profane. Get ready for a rollicking bad time!

Why would anyone want to fall in love? What’s the payoff? Why would any sane person put themselves through this? Do we steer clear? A lot of questions I do not have answers to, but can safely say, I’m curious. Come join me on this one woman musical journey through a rollercoaster of romance.

This Pulitzer Prize finalist play is an existential comedy...or maybe it’s not...about the beautiful mysteries of the human experience and what may happen when one holds on to them, never being able to make total sense of them, buries them — and then suddenly needs to talk about it all.

From growing up half-Jewish, half off-the-boat German in North Carolina to working as a showgirl in Italy, Jessica Abrams shares her journey in IF I LOOK THIS GOOD, WHY DO I FEEL LIKE SH*T? With the help of two imaginary mothers, she connects with who she truly is.

Charley, a registered nurse, edutains through tunes and tales about what really happens in a hospital. She came to terms with her life as a nurse, and how through advocating for her patients she learned to advocate for herself.

EMPANADA FOR A DREAM is one boy's story of growing up hard and fast in NYC.A tale of love, loss, heartache and forgiveness.An entertaining portrait of family and neighborhood set against the secret that destroys it all.It’s about growing up by getting out and coming back to one boy's Lower East Side

Fresh off her 1961 Academy Awards win and a recent brush with death, Elizabeth Taylor is struggling with her hardest role yet: herself. An intimate look at the movie star’s early life, career, and loves as she grapples with the culture of celebrity and her place as Hollywood’s brightest star.

This fierce one-person retelling of BEOWULF modernizes the wit, vigor, and meaty language of the original epic. John Heimbuch performs Charlie Bethel's tour-de-force adaptation of this classic Old English poem about a warrior king and some famous monsters in this Minnesota Fringe Festival favorite.

Indian-Thai actress and writer Almanya Narula makes her LA stage debut as Noor Inayat Khan: Indian princess, British spy, & Gestapo enemy #1. In this thrilling imagining of the last 30 minutes of her life, Noor's decisions will forever change the tide of a war we thought we knew everything about.

*Winner: Best Solo Performance: L.A. Drama Critics Circle Awards 2022* *Nominee: Top of the Fringe - HFF22* Beer. Liquor. Football. The three things Dog needs to get by. And right now, he needs a whole lot of each one. A dark comedy about a man coping with the death of his dog.

Normal: Conforming to a standard; usual, typical, or expected. All of us at some times or in some ways feel like outsiders. That whatever it is that is normal does not include us. But when we enter a new culture, we actually are the outsider. An excellent vantage point to question the status quo.

Gen-Z drag queen Aura Sublime unravels her neuroses until she's bare, then reconstructs her image, in this shameless, irreverent, and cutting 30-minute solo play.