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Lgbtq

BOOM, HEADSHOT! A GEEK TRAGEDY

Musicals & Operas · mb stage productions · Ages 16+ · United States of America
A guild of close-knit, basement-dwelling MMORPG players embarks on THE gaming quest of their lives: surviving the apocalypse. Geek tragedy meets musical theater meets Raccoon City in this bonkers and heartfelt rock n’ roll ode to queerness, acceptance, and love.
A guild of close-knit, basement-dwelling MMORPG players embarks on THE gaming quest of their lives: surviving the apocalypse. Geek tragedy meets musical theater meets Raccoon City in this bonkers and heartfelt rock n’ roll ode to queerness, acceptance, and love.

THE PLAY GROUNDS

Drama · congo square theatre company · Ages 16+ · United States of America
Aloe, a disabled, black teenager struggles to overcome his friend's death, and to reverse his attempt at suicide. This thrilling dramedy asks, "What if Hamlet decided not to be?" Could his friends save him in time? How might they have learned a nonfatal way of resolving intergenerational trauma?
Aloe, a disabled, black teenager struggles to overcome his friend's death, and to reverse his attempt at suicide. This thrilling dramedy asks, "What if Hamlet decided not to be?" Could his friends save him in time? How might they have learned a nonfatal way of resolving intergenerational trauma?

LOVE IS A BATTLEFIELD

barry brisco productions · Ages 18+ · United States of America
You're a guy in college living your best life, happy, in the closet. Sex? Not on your mind, you haven't got a gay care in the world until your friends find out your secret and want to fight you about it, then you fall in love with your best bro who has a girlfriend that wants to kill you both.
You're a guy in college living your best life, happy, in the closet. Sex? Not on your mind, you haven't got a gay care in the world until your friends find out your secret and want to fight you about it, then you fall in love with your best bro who has a girlfriend that wants to kill you both.

THE LEMMING EFFECT

misfit toys collective · Ages 15+ · United States of America
Leaving… Falling.. Swimming… The Lemming Effect is a psychological drama following the identities of Lexa, our protagonist as they search for identity and peace in a post capitalist America. Come with us as we navigate the mind scape of Lexa!
Leaving… Falling.. Swimming… The Lemming Effect is a psychological drama following the identities of Lexa, our protagonist as they search for identity and peace in a post capitalist America. Come with us as we navigate the mind scape of Lexa!

I MADE THIS FOR YOU

Solo Show · carmen nikae · Ages 0+ · United States of America
Hildegaard’s Dating Service & Matchmaking Agency is here for you! In this silent film meets theatrical clown show, I Made This For You explores the vulnerability of putting yourself out there, and the resilience to try, try, try again reminding us that connection is often found in unexpected places.
Hildegaard’s Dating Service & Matchmaking Agency is here for you! In this silent film meets theatrical clown show, I Made This For You explores the vulnerability of putting yourself out there, and the resilience to try, try, try again reminding us that connection is often found in unexpected places.

SICK

Drama · dahn hiuni · Ages 13+ · United States of America
It’s 1973. An aversion therapy survivor’s growing resolve to remove homosexuality from the official list of mental disorders puts him on a collision course with the psychiatric establishment.
It’s 1973. An aversion therapy survivor’s growing resolve to remove homosexuality from the official list of mental disorders puts him on a collision course with the psychiatric establishment.

WOUNDED, BY JIGGS BURGESS

p3 theatre company · Ages 16+ · United States of America
Directed by Spencer Frankeberger A repressed nobody who thinks of himself as somebody. An addict. Who’s Afraid of Virginia Woolf played out between hummingbirds. And a pussy eating dog. This is Wounded. In this darkest of comedies, the bleak paths our lives can lead us down are on full display.
Directed by Spencer Frankeberger A repressed nobody who thinks of himself as somebody. An addict. Who’s Afraid of Virginia Woolf played out between hummingbirds. And a pussy eating dog. This is Wounded. In this darkest of comedies, the bleak paths our lives can lead us down are on full display.

ANNIE IS FANCY

Musicals & Operas · morgan reynolds · Ages 16+ · United States of America
Physically projecting the story of a famous red-headed orphan over the true life journey of a queer sex worker coming to terms with reality decades later, Annie is Fancy uses projection mapping to remix a heartbreakingly surreal (yet campy) multimedia experience, turning darkness into a disco ball!
Physically projecting the story of a famous red-headed orphan over the true life journey of a queer sex worker coming to terms with reality decades later, Annie is Fancy uses projection mapping to remix a heartbreakingly surreal (yet campy) multimedia experience, turning darkness into a disco ball!

THE YEAR THAT CARRIE FISHER DIED

Two Person Show · mb stage productions · Ages 18+ · United States of America
The chronicle of Lukas, a trans-male geek passionate about all things fictional; and Quinn, his bipolar polyamorous pansexual bestie. A dark-sidedly comedic missive and adoration for all things nerdy, where in the end: “She drowned in moonlight. Strangled by her own bra”.
The chronicle of Lukas, a trans-male geek passionate about all things fictional; and Quinn, his bipolar polyamorous pansexual bestie. A dark-sidedly comedic missive and adoration for all things nerdy, where in the end: “She drowned in moonlight. Strangled by her own bra”.

MORNING COFFEE

Two Person Show · st. andrews place playhouse · Ages 13+ · United States of America
After ending their five year relationship, embittered exes spar for all that remains of their love: an affordable apartment in New York City.
After ending their five year relationship, embittered exes spar for all that remains of their love: an affordable apartment in New York City.

ANNEX

cgb productions · Ages 13+ · United States of America
ANNEX is a dark comedy about queer family, fate, and mental illness. It's the story of Elliot, who despairs of managing their mental illness and concocts a mysterious miracle cure--Belinda Carlisle, a nefarious bowl of pink light--that turns on Elliot and the family they depend on.
ANNEX is a dark comedy about queer family, fate, and mental illness. It's the story of Elliot, who despairs of managing their mental illness and concocts a mysterious miracle cure--Belinda Carlisle, a nefarious bowl of pink light--that turns on Elliot and the family they depend on.

BRO! (HOW TO BE A MAN)

Solo Show · self · Ages 18+ · United States of America
A trans man learns to navigate society's standard of being a "man" from CHAD- the epitome of toxic masculinity
A trans man learns to navigate society's standard of being a "man" from CHAD- the epitome of toxic masculinity

AVITAL ASH WORKSHOPS HER SUICIDE NOTE (WORK IN PROGRESS)

Comedy · avital ash · Ages 15+ · United States of America
Since her mother leapt from a building when Avital was a baby, she's been 50-50 on being alive. But who wants to turn into their mother? Irreverent stand-up from an ex-Hasidic queer Jew.
Since her mother leapt from a building when Avital was a baby, she's been 50-50 on being alive. But who wants to turn into their mother? Irreverent stand-up from an ex-Hasidic queer Jew.

VAMPIRE NIGHTCLUB, 1983

Solo Show · audrey valcourt · Ages 13+ · United States of America
A tale of eternal love, blood, guts, and gothic nightclubs. A solo show by Audrey Valcourt.
A tale of eternal love, blood, guts, and gothic nightclubs. A solo show by Audrey Valcourt.

HOW TO BE AN ENDING

Solo Show · theater gum · Ages 16+ · United States of America
Everyone is busy—and everyone can’t seem to see Matthew, until it’s too late. There is something in the walls here—something in the buildings and the yards and the trains. Something in the way they look at each other, something in the way they want. And run. And everyone is running from Matthew.
Everyone is busy—and everyone can’t seem to see Matthew, until it’s too late. There is something in the walls here—something in the buildings and the yards and the trains. Something in the way they look at each other, something in the way they want. And run. And everyone is running from Matthew.