Charming

45 minutes. 2 words. 1 performer. A physical comedy spectacle. 🏆 WINNER: Best Comedy, 2022 Hollywood Fringe Best of Broadwater, 2022 Hollywood Fringe Hollywood Fringe Scholarship, 2022 Hollywood Fringe Craziest Solo Show, 2019 Crazy Woke Asians Solo Performance Festival www.aterribleshow.com

*BEST IMMERSIVE & GAMES FRINGE AWARD* *EXTENDED INTO JULY* *PICK OF THE FRINGE* *OUR TOP TEN - Stage Raw* *FRINGE SCHOLARSHIP WINNER* Imagine "Mr. Rogers" gone drag mixed with "Pee Wee’s Playhouse" gone Puerto Rican and you’ve got Ramón! An immersive, audience interactive show w/ drag king Ramón!

*WINNER* - CRITICS' CHOICE ENCORE *WINNER* - THE BEST SOLO SHOW *WINNER* - THE SPLASH AWARD *WINNER* - THE BEST ONE PERSON SHOW (LA THEATRE BITE AWARD) *WINNER* - PICK OF THE FRINGE *WINNER* - THE HOLLYWOOD ENCORE PRODUCERS’ AWARD *WINNER* - HOLLYWOOD FRINGE FESTIVAL SCHOLARSHIP

Two racially-similar strangers explore their differences, sparking a deeper conversation about what it means to serve an underserved and frequently neglected community in this world premiere one-act written and directed by Carol M. Becker; starring Veronica Thompson and William Warren.

Platinum Medalist! Best of Broadwater Encore! Best Solo nominee! SPLASH Female Voices nominee. Character comedy set in Philadelphia about the struggle to maintain one's authenticity while facing inevitable change. Filled with hope and profanity. Like "Mare of Easttown” but funny and with zero murder

Described as a “beautiful piece of solo artistry,” Too Big for Her Britches, is a one-woman musical dramedy with 7 live, original songs and 25 characters. It's a “must-see rollercoaster of emotions." A battle between her Inner Shame and Inner Warrioress to break generational trauma and love.

“OFFICIAL WINNER OF THE HOLLYWOOD ENCORE PRODUCERS’ AWARD” In "Trust me, I'm from Essex", Essex born Lindsay Lucas-Bartlett will take you on a journey through life growing up in Essex and making the jump to Los Angeles. A one woman solo musical.

Ready for a healthy dose of sweetness? Take a load off from the stresses of life with your new best friends, Stan, Geoff, Craigory and Ollie. On this SPECIAL day, the "men" (played by women) drink some beers and try to decide on the perfect Groupon activity to do together. *MASKS WILL BE REQUIRED

The first in her family born in the U.S., Meg Lin shares a raw personal account of growing up Chinese American that is both heart-warming and heart-wrenching. Defying cultural norms to "save face," Meg bares it all and shares her darkest pain and deepest desires in this one woman show.

A Christmas Carol and Hamlet blend together to create a festive favorite with a twist - add a generous splash of monologuing, sprinkle with skulls, and enjoy!

It is said gossip leads to scandal, and scandal leads to ruin... Come on a hilarious adventure with Grace as she is scooped up from the English countryside and plunged into London high society. Romance, mystery, and scandal run amuck in this regency era story!

Ascension Day written by Timothy Mason is a one-act play that follows the lives of nine Wisconsin teenagers at a bible camp as they navigate their varying levels of faith, trust, and discipline. Winner of the Encore Producers Award! Extended to July 3rd and July 5th!

Written and performed by transgender artist Rebecca McGlynn (co-writer/lyricist/composer/producer of Top of the Fringe winner "My Big Fat Blonde Musical"), "Asexuality! The Solo Musical" is an autobiographical musical comedy about Rebecca's pre-transition life.

Infused with humor and original music, this inspiring true story celebrates the resilience of the human spirit. After a dire cancer diagnosis, Eli embarks on a memorable healing journey making peace with his past as a gay kid on a quest for love. "A triumph! A tour de force musical. Bring Kleenex!"

****OFFICIAL WINNER OF THE HOLLYWOOD ENCORE PRODUCERS’ AWARD **** On a journey to find his lost homeland, an immortal bard encounters a youth who longs for art and music, who joins him on his mission. But as they get closer to their destination, it becomes clear that the bard isn’t who he seems.