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Patty & Betsy are a couple of cows passing time while waiting in line in their factory farm home discussing the meaning of life.

From Interracial Freaky Friday to Fat Panic to the the Fascist Follies, award-winning burlesque troupe Victory Variety Hour brings their unique mix of a diverse cast, high glamour and a sick sense of humor.

What drives you to live? Pursuit of happiness? Connections? Experiences? Friendship? Take a ride with Chai and journey through daily life, the mundane, the fantastical, the heartfelt, the musical?, and the twisted, and maybe, you'd find some way to validate your (parking) ticket.

Comedian Fielding Edlow's (Bojack Horseman) solo show about being gaslit for 13 years by her character actor husband. Fresh off a successful run at the Edinburgh Fringe, it was featured in the UK Times: “Their marriage was like the Exxon Valdez supertanker leaking gallons of oil in your home.”

Beautiful Little Fool is a one-woman show about the life of Zelda Fitzgerald, the iconic American flapper and wife of F. Scott Fitzgerald, author of The Great Gatsby. The show explores Zelda's marriage to Scott, her own artistic accomplishments and her legacy.

This is a big blowout celebrating the closing weekend of the Hollywood Fringe Festival. Join us as we boogey it out…silently. Don’t forget your dancing shoes!

In the wake of a personal tragedy, a young man seeks work at a lockdown mental health facility. While searching for absolution, he becomes misguided by his savior's complex leading to broken promises and dire consequences. What does it mean to help when saving someone may be impossible?

QFWFQ is based on Italo Calvino's If On a Winter's Night a Traveler. A labyrinthine, surrealist journey that touches on the politics of gender, music, international relations and storytelling itself, QFWFQ is a show that never begins nor ends. You're confused. So are we. Co-directed by Hannah Pilkes

BLACK WOMEN DATING WHITE MEN is a collection of interviews of (you guessed it) Black women who are in long-term relationships (plus two marriages) with white men. It's an intimate look into modern interracial relationships. Expect talks about privilege, activism, and the mystery of headscarves.

When a college girl is admitted to a psych hospital, she wonders why she feels more at home with a truck-driving womanizer or a devil-fearing Zumba dancer than with anyone she knows outside the hospital. Could it be that the typically dark world of the psych ward is more forgiving than our own?