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Ophelia opens up about the other man. Catalina De Erauso explains the rack. Eve eats a polar bear. Love letters we never thought we’d read, plus rants and raves from women you know and some you don’t. They’re all HEAD OVER HEELS. Admission is pay-what-you-want.

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A collection of zany songs from "DOOMSDAY CABARET A Rock Musical of Apocalyptic Proportions."

A timeless musical exploration of the female experience in ages of conflict told through the eyes of the women of Troy.

It’s an ironic monologue dealing with sex , by and with Anna Mazzantini. The show is a journey walking a tightrope between comedy and elegance, between fun and reflection, into the complex and articulated universe of relationships between men and women.

One-Act plays defying society´s conception in topics regarding AIDS, Sexual Abuse, Racism and Murder.

Directed by Spencer Frankeberger A repressed nobody who thinks of himself as somebody. An addict. Who’s Afraid of Virginia Woolf played out between hummingbirds. And a pussy eating dog. This is Wounded. In this darkest of comedies, the bleak paths our lives can lead us down are on full display.

For nearly a decade the award-winning gangbusters theatre company has been attacking Los Angeles stages with their signature speed & violence. Their 21st presentation, Orson Welles' adaptation of Julius Caesar is a brisk and bloody 75 minutes.

Remember the 80's? Even if you don't, join us for a Fakespearean version of the classic John Hughes movie, The Breakfast Club, as if written by the Bard, William Shakespeare, himself! (Yes, in strict iambic pentameter, with plenty of throwbacks to the original source material!)

A razor-sharp play about the fine line between office politics and playground bullying, BULL offers ringside seats as three employees fight to keep their jobs.