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Harriet Tubman: Love Slave by Terrell M. Green, is a rap-poetic musical reimagining Harriet’s first marriage, asking what freedom costs when love is on the line. Blending verse, history, and rhythm, it explores intimacy, faith, and the radical courage to choose yourself.

Expanded version of this intense/funny performance work developed in NYC & @ REDCAT Studio. Lolly (Betsy Moore), the short-circuiting housewife, shares her sexual adventures & fantastic schemes to escape domesticity. W/Paul Tucci. NYTheatre.com: "Tightly executed surrealism - well worth your time."

LLL tells the story of nine women’s struggles and triumphs in the aftermath of abuse. Extremely funny, vulnerable, and full of truth; this exposed multimedia dramedy allows the audience to join in on the journey of each woman through sketches, shadow puppetry, and modern dance.

It’s funny-or-die-in-the-graveyard time when Jeremy Kehoe’s absurdist, existential comedy, “Movin’ On Up”, makes its West Coast premiere at the 2018 Hollywood Fringe Festival at The Complex Hollywood (Ruby Theater, 6476 Santa Monica Blvd.) June 1 - 21.

Obsessive, Compulsive, I’m Fine is a one-person play that explores the comprehensive history, evolutionary theory, and unique experience of Obsessive Compulsive Disorder.

“Becoming Chavela” is a docu-cabaret performance of the iconic queer Mexican singer Chavela Vargas’ life and music. It's the story of a trailblazer who constantly broke the mold. Chavela’s songs of lust and longing and stories of her friendships with Diego Rivera and Frida Kahlo will intrigue you.

The comic story of a young lesbian whose family begins to fray when she tries to be frank with them about her sexual coming of age. Homophobia is not the family’s problem. It’s the prospect of candid conversation that throws them bizarrely off balance.

Khalil Muhammad, creator of the award-winning show Pryor Truth (2016 Hollywood Fringe participant), returns with his 2nd one-man show Illinois Boy Blues.

International comic and “love maniac” opens up about the shocking and traumatic lengths she went to with her obsession with love in a raw, racy and hysterical one-woman show.

An one man show from Matthew Gudernatch, who touches on what it was like to lose his mother at a tender age. There are stories, songs, jokes, and other attempts to turn all of the unending pain he's endured into a fun performance with maybe just a pinch of male nudity. (It's a comedy)