RISE

The guy in this play is really incredible. Just every second he's on stage he is in the scene, and 100% committed.... full review

Zenith Ensemble's first production is a remarkably crafted, confident piece, boasting an excellent script and superb acting. Playwright Cal Barnes takes a standard tale--successful man is visited by a woman from his past who can destroy his future--and infuses it with such depth and originality I was fully riveted by these characters and their story. Additionally, being raised in a very church-oriented home myself, I was enthralled by Barnes' depiction of the sincere, yet flawed, young preacher with a past, and the questions he raises about faith, forgiveness, and redemption, especially when these acts are not sincere. Brett Colbeth's portrayal of the preacher is something to behold--from the opening sermon he delivers we are truly IN... full review

Thoroughly enjoyed this performance. Would have said I loved it, but the opening monologue (which was pretty much a sermon) was just long enough to make me uncomfortable (and not in a good, this-is-edgy-theatre way). The actors were fabulous and the script is quite good. ... full review

Great actors, there wasn't a moment when I wasn't engaged in the story. In just 75 minutes they made me really care about their lives and what would happen. Glad I made time to see this one!... full review

Zenith Ensemble's inaugural production and world premiere of Rise by first time playwright Cal Barnes is extremely impressive (to say the least). Brett Colbeth's ability to stay committed to his character, even while relying on his unsuspecting audience to respond, and playing off their response, as well as Gowrie Hayden's seductive and unpredictable nature make this show simply fun to watch. ... full review

I used Rise as a filler for my time between shows on Sunday - but am I ever glad I did. This was the most powerful and moving play I saw all weekend (I saw 6) and I’m still thinking about it and wondering what is going to happen next. The characters were engaging and well acted. I kept seeing a young Annette Bening while watching Gowrie Hayden and was completely taken by surprise by the physicalness of the performances, almost shocking and a little disturbing, though completely appropriate. I have no idea how they didn’t get knocked unconscious for some of those falls. Brett Colbeth was fun to watch, including his opening sermon which was completely believable and one of the reasons I stay away from churches, but I believed his characte... full review

Really strong actors, engaging script, and directing that is just hands-off enough to be able to let these actors play and live in the world they have created. The small amount of fight choreography is especially convincing and effective...terrifying really. You can tell that this ensemble has strengths in that area. And they bring a hell of a lot of heart to the stage. This show could easily fall into the trap of being extremely one note, but the actors dodge that bullet for the most part and find quite a bit of variation in having almost the same argument for the entire play. All in all, an extremely strong debut production from this wonderful new company, Zenith Ensemble. ... full review

The first 15 minutes can be really off-putting if you don't know what you're in for. It's awkward in a wonderful, wonderful way. Brett Colbeth is 100% committed and absolutely unflappable as he delivers a passionate Christian sermon. In the performance I attended, he didn't even bat an eyelash when a patron that was clearly feeling misled about the nature of the show, started talking back to him, then got up and walked out. (The patron didn't know that the sermon was all part of the show, and returned a moment later after the house manager had to convince him to come back.) Colbeth was so utterly convincing, I had flashbacks to the Sunday mornings of my childhood. Stick around though, as once the sermon's over and the show starts, you're... full review

Go see this play!! Wow. WOW. Cal Barnes' script is riveting - there isn't a beat where I'm not engaged. And I love that this is a world premiere - such incredible new work!! Brett Colbeth is completely compelling. Gowrie Hayden is one powerful amazing actress. Aaron Lyons' direction is so well paced and quite frankly bad ass. A real conflict, and two people simply working their shit out together onstage. The best thing I've seen at the Fringe so far. Go!... full review

Wow,wow, wow. Do yourself a favor: clear your Fringe schedule and see this play. You won't regret it. "Rise" hits on every level. The performances are pitch-perfect, the staging muscular and dangerous and the writing feverish and potent. This play is Sam Shepard cracked out on evangelical Christianity. But the comparison to Shepard is only to give you some idea of the flavor of the piece. "Rise" certainly stands on its own as an original work of art that deserves to be recognized for its rawness and honesty in every phase of production and performance. Once again, see this play. I go the Fringe to be floored. "Rise" was the first play that floored me. This is the real deal. You'll be talking it about it for hours after... full review