Love

This ain't yo' momma's Salome! Ancient characters collide with an inner-city strip club to shatter your notions of civilization. "This is where we live: in the lush, disorderly fullness of the flesh."

An upbeat comedy about sexual politics and dating as a group of friends examine their experiences. The result is a happy interaction of stories, sophisticated writing, and impeccable timing. Add a dance number and message – something about consideration and getting real – and we’re ready to rock

It's like "Our Town," if "Our Town" had more arguments about hipsters and gentrification. "Unmoderated" is documentary theater that provides a compelling look into the dynamic communities of Northeast L.A., Silver Lake and Echo Park through the anonymous commenters who gather on theEastsiderla.com.

The Fire Room by Meghan Brown follows two ghosts who have finally found true love. Set in the place where love meets loss and fear meets dreaming, it is a dark, funny journey through loneliness, sex, death, and love. Fugitive Kind Theater makes their exuberant, vigorous Fringe debut.

A sexy cabaret based on the popular fictional character and internet show, Ruby Besler.(www.therubybeslershow.com) Audiences will get a rare peek inside Ruby Besler's life and loves. The show features burlesque dancers, live piano, and multi-media!

Who deserves the spot on the springboard to salvation? Through their I-was-here-first argument, a man and a woman are forced to re-live moments of their past, and the traumatizing events that led them both to a bridge in an attempt to end their lives.

Keaton Talmadge (great granddaughter of Buster Keaton) drops the spotlight on a "straight" young woman who unexpectedly falls for- a woman. Preconceived notions, unpredictable love and a killer cat named Sneaky Creeps. Define: different examines what happens when you remove gender from love.

An unauthorized parody of Peanuts, a critically acclaimed dark comedy for mature audiences only and a night after which you will never look at a hula-hoop the same way again.

Evan and Allie have made it to their 3rd date. A momentous occasion fraught with great expectations. Prepare for none of them to be met as their imagination takes over revealing each other's ex...and they have a lot to say. A hilariously awkward one-act by Deborah Gross. Directed by Doug Hannah.

Dublin. 1964. Meet Alfie Byrne, bus conductor with a poet’s heart. He dispenses tickets with Oscar Wilde verse. St. Imelda’s amateur theatricals are his passion. And privately, Alfie’s heart holds a secret confessed to his Irish Salome: despite bigotry or shame, “you just have to love who you love.”

WORLD PREMIER. Sam (Clark Freeman), an intellectual and a poet, has settled down with the beautiful and serious-minded Laura (Ceri Bethan) and a real job. But their life is upended by Frank (Blake Shields), a charismatic but damaged street-singer and hustler, who misses the only friend he ever had.

A young woman named Chocolate, alone in the sacredness of her room sheds the secrets of her soul and encounters her inhibitions. She speaks to those that she fears wouldn’t listen. Here, in her room, she embarks on a timeless journey challenging the notions of authenticity of Blackness.

In three one acts we visit the aftermath of a one night stand, the first physical encounter after a Planet Sappho internet connection, and a set up with some "unforeseen" challenges. Souls collide on their quest for love...

Love Actually Isn't is a collection of four one-act plays about love, doubt, closure and compromise. These plays are a funny, sad, and clear-eyed exploration of love that fell apart, love that never happened, and love that's just around every corner.

“We Are The 0%” is a physical, musical, emotional journey delving into socio-political commentary inspired by the OCCUPY WALL-STREET phenomenon. This production is devised and performed entirely by our satirical silent clowns.