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Ember, a little firefly whose afraid to shine, embarks upon a BIG journey to save her tribe from a growing darkness. Along the way she unites with an unlikely group of misfit companions who all learn to embrace their unique strengths and save their world.

An all female-identifying cast shares personal stories!

Fresh from a New York run, this edgy solo show from comedian Alicia Dattner plays like an emotional car chase, with laughs from start to finish. Plus, it's poignant, bittersweet, and all that jazz you know you love. A laugh-out-loud-til-your-cheeks-hurt story of sex, drugs, and more sex.

An acro-infused variety romance story. Part CYOA, part DnD campaign. Audience volunteers simply give relationship advice and a duo of jack-of-all-trades performers perform tightly choreographed dances, improv scenes, and a full book of songs that combine in up to 1,920 unique stories, and counting.

Derek Setfliff is the Michael Scott of Property Management. He's very important. Just ask him! On Site takes a look at the life of a gay property manager living in Los Angeles in search for connection and community.

The 16th Century Japan; Sengoku Jidai - the Warring States Era, when every feudal Samurai Lords are fighting to conquer entire Japan, this is a story of a woman, of whom blood never ceases to be hungry for power and desire as a ruler, a lover, and a mother.

A two-person, unauthorized, award-winning musical parody of the hit documentary “The King of Kong: A Fistful of Quarters”, following two men on their combative quest to hold the high score in the classic video game Donkey Kong.

One hour multi-media, solo theatrical concert based on true events by Texas-born, LA-based performer Stacie Burrows. No Good Drunk is a Southern Gothic blend of stories and songs about love gone wrong.

The Stupid F*cking Has Beens Return for the Comeback Tour of the Century with a run of shows at Eastwood Performing Arts Center as a part of Hollywood Fringe Fest!

2025 HOLLYWOOD FRINGE FESTIVAL SCHOLARSHIP WINNER! Amidst the chaos and mayhem of life, Charlene finds herself in the absurd predicament of being a walking paradox: a visibly pregnant woman who isn’t actually pregnant. When conventional remedies fail, she finds a remedy that isn’t entirely legal.