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A simply staged play about the complicated relationships of three genius women - grandmother, mother and daughter. A smart, intimate tale by Lee Blessing that jumps back and forth in time to explore the amusing, depressing, desperate and hopeful realities of family connection.

Steve Jobs and Buck Taskaroo -- who is a cowboy -- are best friends, a dynamic duo looking to make a name for themselves in Silicon Valley. But what happens when one person is destined to succeed and the other... might not be? This comedy satirizes the Industry, fate, and all things friendship.

LET ME HAMLET is a monologue of a middle-aged, middle-of-the-pack actor who has not yet achieved what he yearns for - to play the title role in Shakespeare's Hamlet. Instead, he has been sweating it out in supporting roles for more than a decade, watching other actors "be or not be" in the role.

Juliet’s Nurse deploys her eyewitness observations to correct the record regarding "the greatest love story ever told".

GRIT, delves into the evolution of Lisa's relationship with her body. Her journey has been infused with dance, music, and movement, allowing her to connect with her body and emotions and promoting personal growth and healing. GRIT explores themes of domestic violence, sexual trauma and body image.

An original sketch comedy show revealing enlightenment, truth, and hope written by Abby Rankin and Max Balderston with direction from Aidan Tappert

‘What I Never Told You’ is an adult dramedy with a gut punching ending reminding us all to live life to the fullest and let those we love know how much they mean to us.

In Slack Tide, four friends in Maine wonder if they belong in each others' lives anymore, and what those lives should look like. Take a seat at their picnic table as they interrogate tradition, environmentalism, and the dawn of a new world order.

Performance artist Jason Jenn brings to vivid life on stage the mercurial wit, wonder, whimsy, and wisdom of James Broughton's poetry in a profound and provocative theatrical spectacle.

On the edge of losing her self, she discovers what exactly is in her power, and how the truth of it is so much greater than she ever thought it was. Predominantly English performance, with some Chinese (Cantonese and Mandarin) determined by the story.