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If you've never had the feeling of getting CPR from your best friend's sister, here is your chance. Don't miss out on the show everyone will be using as a transitional conversation piece. Like fruit loops. Exactly like fruit loops. Fruit loops, fruit loops, fruit loops, ad infinitum.

Laugh till you cry holy-water tears in this staged, interactive radio play where you get to be part of the show! Stellar cast. World premier. Don't miss the sacrilegious antics!

No matter how diverse and divided Americans are these days, we all certainly have one thing in common: spending just short of an hour in a doctor’s office waiting room.

Do Better is a one-person comedic drama with magic—A Dramagedy—that examines life after unwavering grief. After Izzy experienced unimaginable loss at 10 years old, the only way forward was, and remains, to laugh through the pain and do a card trick. By honoring one's own story, anyone can Do Better.

“Badass Women” may be victims, but they survive tyranny, they prevail, they remain unconquered. Cast: Andrea Woodbridge as Roxane. Ariel Salerno as Natalie. Dexter Strong as The Alpha Male. Josh Rubenstein as Jet. Len Bellezza as Devlin, Spinoza, & Muerte Subita.

Make the most of your digital experience at HFF23! We will cover ticketing, accessibility flags, press, comps & so much more! This workshop will help you familiarize yourself with the site and its many helpful features to help you have a successful run at Fringe!

Fifth smash year! Too many shows and not enough time? Our experienced, independent judges see tons of productions across every genre, then we choose, and present live highlights from, five of the best shows at each Pick of the Fringe performance. Come see what all the buzz is about!

A precocious young black girl from backwater Maryland is about to “give up on black people” when she discovers The Official Preppy Handbook and schemes for a Jesus-free life of crew races, bold Laura Ashley floral prints, and boarding school. A dark comedy in three servings.

A Norwegian-American memoir, as funny as Garrison Keillor but with sex, drugs and lutefisk.

The Purpose of Theater Criticism in the Twenty First Century will be an irreverent yet substantive discussion, tapping the best minds in LA Theater. It will be entertaining, lively and enlightening with audience Q&A to follow.