Incredibly intimate and thoughtful... I went in completely unaware of what to expect, but I was very impressed with the music and acting that transported me to a fantastic, and at the same time very familiar, world. The topics of AI, helplessness, and hope were very relevant and relatable.... full review

A hare-brained and full-throttle ride from start to finish. The most fun I've had at a Fringe show thus far!... full review

This one has promise but may need to be workshopped longer (Which is one of the great things about Fringe Festivals. You find out what works and what can be improved.)... full review

Simply amazing and engaging from start to finish. An awe-inspiring ride through the highs and lows of chasing one's dreams. One of my favorite things I've seen this Fringe!... full review

Fun and informative! A real community experience that empowers you to make the change you want to see delivered with love and humor. ... full review

A clever examination of our political moment and perils of the compromise needed to ensure societal progress, all through the lens of a friendly game of D&D. A thought-provoking and enjoyable watch.... full review

A funny, heartfelt exploration of finding yourself even when you go down the wrong path. ... full review

Sharma has such great stage presense. He has a warm sensibility and makes the entire audience feel like co-conspirators. ... full review

Meg in "She's So Special" is a classic Hollywood star with an inner trickster that takes us to unexpected, subversive territory with the grace and sensitivity of a million doves. ... full review

Doll Court is a prize! Uncanny, unorthodox, unboring!!... full review

Beautifully sung, every singer was professional through and through. Personal favorites were Richard Rosales, who has a poised yet delicate presence with a lovely baritone (I think that's his range but don't quote me!); a yearning sincerity from Ella Raziel, and Christopher Fishburne's deeply felt, emotional characterizations.... full review

What do you get when you take a White Older MAN and watch him try to create a solo show? I'd say you get an honest peek at his soul. From the start, the fourth wall is broken and Stefan Marks engages with the audience, almost as if explaining the difficulties of creating a show that contains not only truthful moments, but also a clear beginning, middle and end. His performance style mixes conversation with awkward glances and actions with self-deprecating humor, and painful recollections. And... full review

Emilie Langjahr is stunning, embodying a broad range of diverse characters with an intense precision and brilliant physicality. A profound portrait of the wondrous and terrible things humans are capable. Never would have thought I'd be shedding tears for a dog a now-defunct country shot into space almost seventy years ago, but here we are...... full review

Cute and utterly charming with some incredible feats of athleticism. ... full review

This was such a treat to get to watch two plays for the price of one! They were both very different but equally enjoyable. The acting and directing for both pieces were wonderful and entertaining. Bravo!... full review

An absolutely hilarious show that you will love!... full review

An endearing and powerful performance, challenging the audience to shed everything but the presence of the moment. A powerful depiction of how absurd living anywhere but the present truly is. This is art--plain and simple.... full review

What a beautiful little show. It just feels so completely human on every level. Three Eulogies is definitely at the top of my list for this year's Fringe festival. ... full review

Everything a solo-show should be: charming, heartwarming, hilarious one moment and heartrending the next. This is Fringe theatre at its absolute best.... full review

Sarah Ruhl is arguably one of the best contemporary female playwrights in American Theatre. Her work speaks for itself and yet, this show is elevated in the very capable hands of Contempo Productions. Indeed, they deliver an impeccable showing of her farce, "Melancholy Play" at this year's Fringe. What starts as a series of therapy sessions for Tilly (played by a revelatory Madeleine Ince) evolves into desperate searches for love, or more appropriately, happiness. While her melancholy attracts... full review