Long ago I came to conclusion that the best dramatic medium to tell epic fantasy is not, in fact, film with all its amazing special effects, but live theatre with its power of imagination.
Gideon and the Blundersnort is an example of why I feel that way. It relates a story in much the same vein as The Hobbit, and The Princess Bride, with more than a dash or two of Joseph and His Amazing Technicolor Dreamcoat....
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I laughed, I cried, it made me a better human being.
(But mostly I laughed)
The most flawless fun I’ve found at the 2021 HFF.
A GOLD MEDAL.
Full review to follow at theTVolution.com
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Much like the rags to riches story of The Princess Bride, this hour-long musical tells the tale of a young farm hand who dreams of more, longing to serve as a King's Cavalier who is aided in that quest by the almost-royal Viscountess Alanna (7 cousins would have to die first for her to become Queen). Narrated by a Troubadour whose cleverly constructed musical musings provide the story exposition in the beginning as well as scene breaks while the cast sets up the next location from the various set pieces on the stage, this enchanting tale of reaching for your dreams during the Age of Adventure (ie" Fantasy) is greatly enhanced by the talents of Dan Amerman as the farm hand Gideon, the incredibly magnificent stage presence and voice of Maggie ...
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