MAX & ELSA: NO MUSIC. NO CHILDREN.

My overall impression

With Max and Elsa, playwrighting team Mason Flink and Lindsay Kerns have focused on the lives of no one’s favorite two characters from The Sound of Music. The play’s capsule description raises the specter of hairy nuns in drag and over-the-top camp humor which is better appreciated when imbibing your third dirty martini. But the big surprise is that the script is witty and well-written. Though, for the record, there is a nun in drag.

You can read my full review at “original article.”