I gotta hand it to Brian, accomplishing this adaptation for Fringe with no easy feat. I was able to commiserate with him in the weeks leading up to the festival, and there was a lot he was balancing with Woody Allen and his reps to try to get every aspect of this show approved. But what would all of that matter if there wasn’t anything worthwhile to show for it? The GREAT news is, that there is much in MR. BIG to enjoy that both demonstrates the brilliant mind of Woody Allen and the theatrical voice of Brian Knudson who seized upon the innate theatricality in the short story to turn it into a breezy half hour romp of atheistic shenanigans. The performers are really excellent with Brian nailing his role as textbook gumshoe, with all the sub...
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What a fun show! One of my favs! The chemistry between the actors was spot on and the direction was perfect. So entertaining and fun! And who doesn’t love a banana telephone?! ...
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Full disclosure: I'm a fan of Woody Allen's books (Side Effects, Getting Even, Horse Feathers). This one is a dramatized version of a story from Getting Even. Seeing it live was great. It's smart and sly (early Woody has these absurdist descriptions that stem from the mind of a Jewish kid from Brooklyn), but also gave room for moments of broad comedy (also indicative of early Woody). Brian and Catherine played it as Woody. Seriously goofy. ...
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Their chemistry was absolutely sublime! Incredibly entertaining from start to finish! The quick changes had me in stitches 🤣 these two are like the modern version of Laurel and hardy. Loved every minute of it....
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The show opens with a clever prologue that immediately sets the tone for what's to come — a playful fusion of philosophy and humor that draws the audience in. We meet figures like Descartes, Nietzsche, Freud, Hegel, Immanuel Kant, and Pascal. For those well-versed in philosophy, the production offers a treasure trove of references and metaphors. But even without that background, the piece stands firmly on its own as a thoroughly enjoyable and engaging experience.
This stage adaptation feels like a puzzle box of eccentric humor with surprising depth. Though just 30 minutes long, it embodies what it means to be profound in its simplicity. Much like Inside Out, which appears lighthearted on the surface but explores emotional complexity and i...
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