First things first, I LOVED the title of this piece! And once I heard Roksana say, “So Baby,” I kvelled!
On the acting side, while all three actors are wonderful in their respective roles, Malota is the stand-out performer. Whether it is her character’s nonchalant attitude or her sophisticated maturity about the bigger picture beyond college, she definitely earns the focus she receives.
Co-Directors Josie Andrews and Sierra Nutkevitch have chosen some edgy transition music between scenes and created a setting that looks like a dorm room.
What I didn't like
Here are a few thoughts to ponder as the show continues to develop and grow:
1) The Broadwater’s Main Stage seems too big a stage for this three person cast. A smaller physical playing space could be useful in creating tension amongst the characters.
2) At 90-minutes, the show feels too long. A dramaturg could help remove some of the repetition. At least 20 minutes could be shaved off to make for less transitions and more impactful character interactions.
3) Other than being a play that deals with the morals/ethics about college admissions, I wonder about the possibility for a deeper, more resonating message.
4) Perhaps a more ferocious ending showing what happens when Roksana leaves would amplify the impact of the play.
Just food for thought…
My overall impression
Talisa Friedman’s play, So Baby, is a slice-of-life dramedy. The play showcases three unique freshman roommates, each dealing with her own set of issues.
First, there is Miri (Emily Hope Turner) who is the Jewish, eager-beaver, boy-crazy, academic talker. Joining her is Jordyn (Ciara Cain), the independent, strong-willed, Black Student Union participant. Finally, there is Roksana (Diana Malota), the Russian model who uses any tools in her tool-belt to advance in life.
In most triangle scenarios, two will gang up against one. While there are plenty of scenes that have Miri talking with each of her roommates separately, ultimately, she and Jordyn join forces to get Roksana removed from school.