Feminist

How do you connect with your sister when she's dead? By ass-kicking your way through Dungeons & Dragons, of course! That's the only way for Agnes to get to know her younger sister, Tilly. Qui Nguyen’s play is re-imagined with soundscapes, shadows, and swords. And lots of sexy monsters.

Dark humor and raw narrative. Modern dance, en pointe ballet, and a live string duo. Alive-ish tracks the chaos and challenges of a young woman’s journey. In association with the Female Playwrights Initiative. Proceeds will benefit the American Foundation for Suicide Prevention.

‪A couple of colonists on their way to a distant planet were awakened from their cryo-sleep years ahead of schedule. Now they’re forced to spend every moment of every day trapped together in a tiny capsule. They have to find a way to get past their mutual loathing to work together so they don’t die.

Temple Tantrum is a one woman show about surviving a cult, internalizing my abusers, and finally beating my own worst enemy- ME! It’s hilarious!

Satyrs and nymphs are party-crashing her high society wedding rehearsal and upending her carefully-constructed plans with wild debauchery and mayhem....If that weren’t enough, as prudish Emily’s horns continue to grow, so do new…feelings.

WINNER — Best of The Broadwater (2019) NOMINEE — Fringe Award for Solo Performance (2019) Based on her conservative upbringing in St. Louis, Lindsey invites you to witness characters in her hometown that will make you laugh, cringe, and hopefully laugh again. Written and performed by L

from the team behind the 2017 Hollywood Fringe International Award Winner & Pick of the Fringe, LADIES IN WAITING: THE JUDGEMENT OF HENRY VIII, comes their next project... Inspired by Louisa May Alcott's classic: Part biography, part adaptation, but definitely NOT your Marmee's Little Women!

An aging glamour model befriends a young aspiring internet model as she becomes the subject of a controversial art exhibit; which threatens to expose what's she's been covering up.

By piecing together some of the Bard’s most famous text, the actors create their own unique Fractured Shakespeare monologues. Join us as we combine the words of Beatrice, King Lear, Lady Macbeth, Henry V, Katherina “The Shrew” and more, to explore issues of gender, power, identity, and love.

2 FOR 1: Two hilarious one woman shows — for the price (and time) of one! Double the self-indulgence! Double the breakdowns! And twice you’ll ask — Is she ok? That's 2 FOR 1 on: Bellydance! Mild nudity! Sexualized dogs! Puppets! Ballet! Whipping! Eleganza! And NO safe words!

CLEMENTINE explores the pressures and the promises of motherhood, balancing tender moments with hilarious anecdotes. Wish celebrates the connection between generations and the exhilaration of parenthood. It is a love letter to her daughter, Clementine, as well as to the little girl she used to be.

A film noir inspired drama in which an upper class business woman must control the investigation into the death of her best friend’s husband while the detective must use his charm and intellect to uncover the truth, navigate class politics, and avoid the wailing siren of the femme fatale.

A deep exploration of the transitory state of life from a femme-identifying perspective. Self-written, self-thought, self-taught… Chrysalis showcases a collection of personal journeys through the different phases of self growth, and discovery. “She emerged from the chrysalis..."

We find Lila, a young British woman, alone in a hospital for the criminally insane in 1928. Abandoned by her family, society, and her only friend in the asylum, she is forced to face her deepest secrets and the dark reality of the events leading up to her imprisonment.

SELFIE is first a cabaret revue of eclectic '70s chanteuse, Minnie Riperton's music ("Lovin' You") that spans the genres of soul, funk, folk, and rock. Second, it's a celebration of the ego of singer/songwriter Aisha Kasmir, and her fight to play any part and be seen in a white-washed world.