Suzannah is a rare talent who excels at both writing/telling stories as herself AND embodying a variety of distinct characters. Each of these performance styles are difficult to do well on their own, so it is incredible to watch Suzannah nail them both in this show. ...
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Ian commits so hard and has such a commanding presence on stage that you almost forget this isn't a show written and performed by a guy named Todd Macabre. He's remarkably present, charmingly mischievous, and relentlessly funny, all of which makes for a super enjoyable hour of pure dumb fun. ...
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Nina's heart and passion are palpable and contagious. Her energy and stamina are impressive. Her visual metaphors and lighting design are beautiful. ...
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In a town where existing IP reigns supreme, the video of Alan's 2001 magic show should be the center of a massive bidding war. Such incredible source material, and Alan mines it for comedy super effectively between the edits he made on it and the jokes he makes in relation to it. ...
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Mark is hilarious and unflappable in this delightfully playful and thrillingly inventive show unlike anything else you're going to find at Fringe. Go see this show!...
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A super clever conceit executed with precision. Strong writing from Kris, savvy direction from Casey, and strong performances from the entire cast make these some of the most entertaining 75 minutes you'll spend at Fringe....
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Dark jokes galore. Andrea's excellent writing makes the incredibly painful personal experiences she shares so much more palatable for the audience. ...
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This show has so many great bits and big laughs. The writing and performances are aggressively dumb in the best way, and amidst a festival full of shows where people are baring their souls (which I do appreciate and love to see), How To Eat A Bear is a refreshing change of pace where the only thing taken seriously is the commitment to being funny....
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