Dondre Tuck

Overall, “White Elephant” has a strong script and a lot of potential. Had I known beforehand that it was a reading, I may have waited to see the show fully on its feet. I also do not think it is necessary to have a narrator onstage, as there are a few moments where that choice distracts from the actors. Still, the writing and acting are strong, and I am interested in seeing this again once the cast is fully off-book and the production is completely staged.... full review

Overall, “Trickster” is a playful, strange, and imaginative production that leans fully into physical storytelling. The show works best when the movement, music, lighting and ensemble energy come together to create a unique world. “Trickster” is a creative and visually engaging show that offers something different at this year’s Fringe Festival.... full review

Both plays have strong ideas and memorable moments, but would benefit from more patient pacing and deeper emotional grounding from the actors. “The Pearl” feels more cohesive, while “The Trick” has potential but needs more time for the relationships and stakes to fully develop. Still, the direction, design choices, and select performances give the production as a whole enough substance to engage with during the Fringe Festival.... full review

Overall, “Something Anxious” is a solid Fringe offering as an entertaining double feature. The two short plays are distinct but feel connected through their darker sense of humor, heightened circumstances, and simple but effective staging.... full review

Overall, “Homecoming” is a thoughtful and honest one-woman show about grief, family, and the complicated process of making peace with relationships that never fully gave us what we needed. Kosberg brings sincerity, humor, and emotional clarity to the stage, and while I would like to have seen a bit more distinction in how her family members are portrayed, the production still lands with heart. It’s a simple, personal, and reflective piece that leaves room for the audience to think about thei... full review

This is my second time seeing this production since seeing it performed earlier this year and the subtle adjustments are noticeable. Tighter transitions, stronger pacing and grounded performances help the show feel more polished. Despite a few slight technical lighting miscues during a recent performance, the actors remained professional, allowing the production to shine. “Punish Me” continues to be a thoughtful and engaging coming-of-age dramedy worth seeing.... full review

Overall, “Playback” is an enjoyable, well-written modern play with strong potential. The set is clean, the direction is effective, and the production has a clear sense of style. With a little more patience in the emotional beats and a stronger commitment to playing the circumstances truthfully, this show could land even more strongly.... full review

Even though some of the scenes feel underdeveloped, the variety of the vignettes, the lighting choices and the structure of the evening offered moments of interest. With more refinement, this could become a more cohesive and engaging production.... full review

Although “Fulfillment” runs a bit long, this is one of the stronger Fringe productions I have seen this year. The cast is sharp, the direction is clear, and the story has enough humor and sincerity to keep the audience invested. More importantly, this production lingers with you long after the show is over.... full review

Arguments is a thoughtful and entertaining production that succeeds because of its strong performances, effective direction, and excellent technical design. The live jazz musicians bring a unique energy to the piece, while the lighting and projections help create a rich theatrical experience. Although a few emotional moments could have been allowed more room to breathe, the production remains engaging throughout and is a worthwhile addition to this year's Hollywood Fringe Festival.... full review