Myriam Ali-Ahmad delivers a moving and grounded performance in her solo show Handala. Extremely well-written and directed, the piece is comprised of several stories told through the eyes of people from all walks of life, all handled with so much care by the team. The physicality and vocal control required to pull this off is no small feat, and Myriam never fails to give an incredible performance....
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An hour of fun for the religiously traumatized! Amen was such a charming play with countless lines that have continued to stick with me even days later. Stephanie Wolf and Adrian Gamez's God is truly a sight to behold; the level of talent and coordination among the two is incredible. Overall, a breath of fresh air that you will not want to miss....
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James Leonida’s Bro! was such a charming show with a strong commentary on the meaning of gender. James provides definitions for masculinity from two perspectives: his own, as a trans artist, and from his terrifying/hilarious character, Chad, providing a brilliant satire of “alpha male” culture paired with such an honest approach to gender identity from a queer perspective. I had the pleasure of seeing the first preview and I am so excited for more people to experience James’s greatness as an acto...
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Audrey Valcourt’s Vampire Nightclub, 1983 is genuinely one of the coolest and most moving pieces of theatre that I’ve ever had the pleasure of seeing. A gorgeous allegory for queerness that transcends time (because, you know, vampires), it manages to make you both laugh at its relatability and cry at its reality. It’s always exciting to see LGBTQ+ identities represented onstage, especially when portrayed in such an authentic and vulnerable way by a queer writer. Furthermore, Audrey’s stamina whil...
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