Ernest Kearney

It is always fascinating to watch a talented group of actors create so much out of so little. The Bard would have heartily approved of this project.... full review

A CLEVER, SLICK, AND ABSOLUTELY ENTERTAINING DECONSTRUCTION OF THE SOLO SHOW CONCEPT. THE ESSENCE OF WHAT “FRINGE” IS MEANT TO ACHIEVE. ... full review

Writer Benjamin Schwartz and director Natalie Dressel, in league with Spencer Weitzel and Callie Ott, have served up perhaps the smartest and funniest two-person production in the entire Fringe. Excellence that should be preserved in amber.... full review

A wordless mid-air, acrobatic ballet and shadow show, and without question the “fringest” show of the entire fringe. ... full review

Stephen Smith’s performance allows for no artificiality, and his mastery of Poe’s language brings such an immediacy to the terror it feels as if one is squirming through truth crime documentaries. Not to be missed. ... full review

Gould has done an excellent job of redrafting the screenplay produced on John Hughes' SCM Galaxie 12 typewriter to perform like a play penned from the Bard's own quill. Added to a talented cast it makes this production a success.... full review

Housed in a mere half an hour, Soo Chyun has structured an elegant and emotionally moving show. The brevity adds to the beauty of this exquisite experience that should not be missed.... full review

Kayla Boye is talent wrapped in beauty. This show concerns Ann Miller, unknown to many today, she was among the brightest stars during Hollywood’s Golden Age. With Shake It Away, Boye shows you why that was. A superb show!... full review

A diamond cut of a staging, that glistens with the talent of all involved. Intent on making it to Broadway, as far as I’m concerned, they’re just down the block from reaching it. One of the best tickets of the Fringe!... full review

Great, great, great fun! And a MUST for those wanting to make the most of their Fringe experience. Full Review to follow..... ... full review