There is one performance that no amount of technique or RADA courses can really help with, and that’s the performance of one’s self. You can meet someone for the first time, hear them introduce themselves as an “actor” and know immediately – no. They lack what dancers call “pop”. There’s no art, no style, no….”pop” about them. How can you assume that anyone would care to see your “production”, when the grand performance of who you are is flatter than a slow hedgehog on a busy freeway? The a...
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Silly me. Here I went into “Ǽsopera” expecting a wild and wacky parody of an opera, and what I got, well was opera.
Five tales by Aesop the ancient Greek fabulist are presented here as operettas.
Some like “The Frogs Who Desired a King” are delivered as the fables themselves. Others like “The Dog and its Reflection” seem to have been adapted with the intention of posing a more modern moral to the audience.
Composer & librettist Jonathan Price in partnership with librettists Jeff Goode and ...
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Clowns are the best. What grander purpose can one strive for than making others laugh? Okay, okay finding a cure for “cancer- Alzheimer’s-the common cold-world hunger-Ann Coulter” would be spiffy, but we’re talking clowns here! Not clowns with multiple PHDs for finding a remedy for cancer, not clowns with a sixteen ton weight handy to drop on Ann Coulter, just your good ol’, God bless ‘em variety of clowns who’ll make you chortle till milk shoots out your proboscis.
The Four Clowns Compa...
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Laurence Olivier starred in a production of Romeo and Juliet where the reviews he received for his rendering of the star crossed Montague kid were so uniformly abysmal that he seriously considered giving up on acting.
Bob Dylan started his musical career with a band christened the Golden Chords. They lost to a tap dancing act in a high school talent show.
Myself, I began with a musical adaptation of Shakespeare’s “The Tempest” bloated by 27 numbers featuring 39 actors (more or less), with...
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