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This is a hilarious show,based on the Diary of a Dirt Road Diva, that appeals to everyone, young,old, male, female, people from small towns to big cities. For anyone who ever felt different as they tried to fit the expectations of others only to discover it is okay to just be yourself.

Two strangers are locked in a room somewhere between reality and... well, somewhere else. With no memories of who they are or how they got there, they attempt to rediscover their pasts, and why one of them refuses to physically look at the other.

AfroPuff's Playhouse: All This Baggage & Nowhere to go is the premiere performance of AfroPuff's Mixed Media stage show. It is a gumbo presentation from one of L.A.'s most elusive artists.

Nobody spreads Christmas Cheer all over your face quite like legendary singing sensations and amateur turtleneck models The Harmony Boys in this raunchy 1960's ode to holiday specials of yore.

Return to 1997, back when Julie, Ray, Helen and Barry were running people over and getting away with murder. But, when it becomes clear the truth is no longer six feet under, the friends quickly realize that it’s not over until The Fisherman sings.

Sitting in Circles..., is the groundbreaking and crushingly honest reclamation story of a fat, gay, bulimic, black boy raised by white parents and struggling to find beauty, acceptance and safe spaces ─ in a world short on all.

Jennifer is a recent college graduate who has just been “graped”, or grey-raped. Unable to bring her grapist to justice in a court of law, Jennifer decides she must kill him, but she'll need all the help she can get from the women who raised her, the MMHMM.

Luce, fresh from beating cancer, invites you on a wild, raunchy ride through a movie-inspired world. Meet a one-eyed girl, cat lady (man), and quirky 7/11 workers—laugh as Luce runs from painful memories that won’t go away in this bold, funny solo show.

On a dark and stormy night, a lone private eye investigates a crime everyone wants to forget. It'll definitely take more than one clown to figure this all out. Theatre Noir clown style. Somebody’s dead. Somebody must find the killer. Different somebody’s but… you get the idea.

In Genet’s Deathwatch, three men fight to name the ultimate criminal; but can one choose this role? or is bestowed by some godly—or ungodly—force? The dynamics of criminality and otherness surface in this play eerily parallel mass incarceration and the prison-poverty cycle in the US.