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"St Nicholas" by Conor McPherson is a darkly comic one-person play about a jaded theatre critic who gets a taste of the supernatural—courtesy of some vampires. *Contains mature themes and strong language. Viewer discretion is advised.*

Auggie, a 60 year-old choreographer, faces losing his home when two men upend his world: a sexually free younger neighbor and a insanely wealthy old rival. In a condo complex where pinecones fall like fate, Auggie confronts desire, regret, and the possibility that it’s never to late to come of age.

Sativa: Ain't That A B*tch aims to tell multiple stories from characters from all sorts of backgrounds. Performed through the vessel of a pansexual, Black woman, audiences will feel like they’re watching an episode of That's So Raven meets Cops while floating above the clouds, elevated on sativa.

North of Providence details a painful crisis between brother and sister. As the ultimate loss of their father looms, Carol and Bobbie come together in a darkened room as they comb the disarray of their lives to discover what’s torn them apart and finally, the truths that keep them together.

Out of work actress Nikki Carini makes a trip "back home" to celebrate her 40th birthday. With her family. Her Italian family. But it's not all sausage and peppers when she discovers a stranger living in the basement, a freakish storm on the way, and a family she no longer recognizes.

Now Jump follows the story of Gen and Ori. Two beings set to answer the toughest questions of existence; ideas of grief, acceptance, love, and the most concealed thoughts of where we go after we die. *WARNING* Story discusses sensitive content of mental health, depression, anxiety, and suicide.

In Game Show! Game Show! Game Show! A mischievous host pits one side of the audience against the other in a riveting showdown! Get on your feet and compete in over 40 games, from trivia and physical challenges to a custom built video game made just for this show. "A theatrically absurd experience!"

In Genet’s Deathwatch, three men fight to name the ultimate criminal; but can one choose this role? or is bestowed by some godly—or ungodly—force? The dynamics of criminality and otherness surface in this play eerily parallel mass incarceration and the prison-poverty cycle in the US.

A double feature of an experimental improv ensemble and a one-act play. A troupe of minstrels perform improv with masks that shape interactions between characters. In the town of Bitter Oats, trouble ensues for the Baker sisters when the widowed Diedre Baker comes to stay for the long term...

Nancy Reagan, GOAT, is in purgatory dressing room exposition status. In alternative factual fagology. oh Mary, don't ask! To occupy an enviable place in history, the ultimate achievement after death! We DARE you to say no. She's not the Nancy she wants to be. Warning: Piano