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When it rains, it pours. And bad things always come in threes. Or elevens. Or in a relentless deluge of hatefulness for two years straight. This is a show about the ways we pull ourselves out of rough times with humor, the strangers we never expect will help us the most, and love letters.

How much would you sacrifice to pursue a dream? Intern trainees at the busiest television casting office in Los Angeles are about to find out, as they are led on a wild and unforgettable training day by a hotshot casting director, a street tough from Brooklyn, and a RADA-trained Brit.

No one loves you and hates you quite like your brothers. Join Rachel as she flashes back to a simpler time, the 90's on Long Island. Written and Performed by Rachel Germaine, 2014 LA WEEKLY Award Nominee for Best Female Comedy Performance in ABSOLUTELY FILTHY. (2013 Top of the Fringe & Best Comedy)

SYNOPSIS: A descendent of the Freedmen, the former black slaves of the Cherokee, tries to obtain the support of a Native American Councilwoman in order to address the Council members in an effort to get them to reverse their decision to disenfranchise the Freedmen.

DELIBERATION: 1hour long split-screen visual experience of a multi-disciplinary creative process .In the full-screen finale the intertwining of choreography and calligraphy intends to give viewers a digital experience of how it feels to be a versatile immigrant with creative and personal conflicts.

The two worst girls you know are Congressional interns, and stuck in the Capitol on January 6th -- except no one bothered to tell them what’s going on.

What started as a casual fling between two unsuspecting grifters turns into a savage power struggle as four strangers are frantically drawn to each other. All proceeds from tickets sales will benefit the Stella Adler Outreach Division.

MONSTERS re-queering tales told Queer people have had our stories ripped away. History rewritten by the patriarchy. Love shamed where it once blossomed. Power taken where it should thrive. What if we took back the narrative? Put the queer back in myth? What if we weren't monsters?

"Pertenencia?" follows two stories of LatinX youth disconnected from each other and their own culture. Nora, finds out she's adopted on her 16th birthday and Alejandro has always been taking care of his alcoholic mother while searching for his father who left the family. They both become friends.

OVERLAY is a one act play set in a dystopian future where the horrifying realities of war have been replaced with adorable video games. But no matter how remote the act of killing has become, can we ever be far from the burden of guilt below the surface?