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Short plays about showbiz. Sun. 21st June 2015. Asylum Theatre. 4:00 pm. Sat. 27th June 2015. Asylum Theatre. 1:00 pm. Directed by John Fingal O'Donnell Produced by Dallas Bancroft. email: [email protected] THEATRE ASYLUM 6320 Santa Monica Blvd ( Vine St. ). Hollywood, CA 90038

Brilliant Traces, by Cindy Lou Johnson, is a play about a woman who finds herself at the doorstep of a reclusive young man in the middle of the Alaskan Wilderness, just days after she was supposed to be married. Starring Riley Rose Critchlow, Clay Elliott and directed by Nick Zayas.

A collection of one act plays that satirize the history of entertainment from Shakespeare's experiments with language to David Mamet's searing, triumphant final piece of modern noir.

You all have to face it: the patriarch is dying. Lily Spottiswoode plays seven characters in a raw, moving and hilarious memoir.

Through the lens of three separate stories, Benevolence is an original two act drama about how our most important decisions are rarely made by us.

A one-person of Rumpelstiltskin, featuring live music.

Under Milk Wood is an ensemble piece originally written as a play for voices by the English poet Dylan Thomas. Thomas's beautiful language sheds light on the dreams, hopes and desires of a small Welsh fishing village at the turn of the last century.

Robert Taylor plays the loveable loser in this brilliant Australian Musical Comedy all about love. Robert's take on relationships goes array when he falls in love with the coffee shop girl. His unique take on romance and the craziness that follows will excite you in this brilliantly funny show.

We go over the best and the worst of the Hollywood Fringe...and Drink! Hear digital theatre critics Ricky and Dana Young-Howze (RnD) Talk about what went well and what went flat during the Hollywood Fringe.

Original bluesy pop songs connect the true story of how a boy rebuilds himself from devastating loss by collecting souvenirs and stories of his celluloid heroes, while visiting L.A., in 1977. How? By walking to their actual houses, knocking on their doors, and asking them in person, of course.