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As the world around us begins to fall apart, Desiree a failed writer and recovering strong Black woman decides to take matters into her own hands and finally control the narrative of her life. She has decided to kill herself and make her suicide note her best work yet.

In this new musical comedy, Julia Lopriore shares her stubborn hope of finding “the one.” With one wacky story after another, you’ll laugh, cringe, and—if you’re anything like Julia—cry. For the hopeful, the heartbroken, the chronically single, and those still waiting…maybe it’s you.

Every Caverns and Creatures campaign needs three things: Knights! Wizards! And political discourse? When a group of friends finish their long-running C&C campaign, an exploration of what comes next turns into a heated debate over political differences that might be more treacherous than any monster.

Nazareth's favorite son is back. God, Ms Magdalene, Satan are along as well. Part soul concert, part historical rectification, part pearl clutching blasphemy, this human telling by the man, not the myth, is guaranteed to entertain or offend just about everyone on your Christmas card list.

The women of Quentin Tarantino in a one woman sketch show. This HFF25 sold-out hit is back with brand new characters, multimedia elements, and even more audience surprises. Bigger and badder than ever: this is the whole bloody affair. Written & performed by Lani Harms, directed by Laurie Magers.

Journey through mirrors, memory and becoming with writer-performer Gabrielle Jackson as she weaves spoken word, movement, and music into a meditation on self-love as an act of resistance.

The work doesn’t end just because HFF26 ends. Learn from arts industry professionals who are ready to provide insight about taking your show to the next level, what the touring pipeline looks like, and how to keep the momentum going after HFF26!

Please Don’t Cry is a one-woman show that highlights hilarious moments hidden in the darkest of times. Dione is traditionally a character sketch actress. After a dramatic period of life filled with death, depression, and divorce, this is her first performance unmasked—as none other than herself.

While watching the hit show Shogun, Alex found himself asking a simple question: Who is this for? Dusting off his Japanese, he sets out to reconcile a lost heritage, the tangled ties of cultural multiplicity, and an emerging artistic self in the only way he knows how: by pretending to be a samurai.

A true story of survival inside a parked car. DON’T KNOCK takes audiences through the strange, funny, and deeply unsettling reality of becoming homeless in Los Angeles — and the quiet ways it changes who you are.