What I liked
Although I had the Playbill to see who played what role(s), I found it more beneficial and even exciting for me to watch and listen to the characters to determine which stage/emotion they were portraying.
The Woman, played by Zoe Papia, with her facial expressions and body, physically emoted every ‘thought’ that was being spoken by all of the characters surrounding her on stage! The few words she uttered throughout the whole experience, were brief, well placed – sometimes spoken in unison with one of the other personified emotions. The choreography of the dance – superb. Soulful. Exquisite.
From the beginning, when I didn’t know what to expect, I liked the darkened room that revealed the backdoor when The Woman opened it. I liked when The Woman moved the stage light from center stage to up left. I enjoyed the use of lighting and sound – all of which created such an immersive experience for me. My emotions were fully engaged, and the characters’ attitudes and conversations with each other resonated with me.
And when the turmoil within The Woman was calmed, I loved when she moved the stage light back to center stage, turned off the light, opened the door, and stood there as all of her internal emotions/stages filed out (I love that Innocence took The Void by the hand as they walked out together). And finally, the last words – the question – (I paraphrase) “Are we ok?” And the answer: “We are, today.” Fade to black.
I wept and stood up immediately, applauding through my tears. I felt as if I’d been holding my breath until that final moment. BRAVO!
What I didn't like
The only thing I believe this play needs is MORE EXPOSURE! I saw the play at Stomping Ground in Alhambra. And I am very happy to see that it is being performed on The Broadwater Main Stage at the Hollywood Fringe Festival!
I am honored to have witnessed such a gift to the arts. I look forward to the national tour this play deserves! I have told my friends and colleagues, and will travel to see it again!
My overall impression
In a word: Brilliant!
My overall impression is this: This work of art is a necessary vehicle for opening up a dialogue for/with individuals who have not been able to identify and/or process their own grief. This play is also important for those who have been ignorant of what actually happens within a person’s mind/body/soul as mourning takes hold. And last, this amazing play is important for people like me, who are well acquainted with the grieving process, to visualize/recognize each characteristic- and agree, as each “voice” was carefully and accurately personified. I was moved to tears.
