Pure theatrical foreplay, Mitchell’s three movements teased and enticed and left me feeling all hot and bothered. Seriously. It was a sensation built throughout the production, and not fully realized until I left the theatre for the light of day, but sex was there in all of it’s awkward, funny, over-powering glory. Alla Poberesky’s husky voice lends to a commanding and sensuous performance, which was pleasantly grounded by Michael Sanchez’ candid dweebiness in an overall sharply-written, strongly acted production.