What I liked
It’s impossible not to be impressed by Dinsmore’s adept character-switching, each with a distinct regional/social accent and body language. After a while my suspension-of-disbelief engaged full throttle, and I started perceiving multiple characters rather than one narrator.
The story and dialogue feel loyal to the period, and more importantly manage to balance plot, personal stakes, and a whiff of romance in satisfying proportions. We’re kept emotionally invested in the storyteller and curious about the plot.
What I didn't like
This is a minor suggestion in light of a highly satisfying play, but in the spirit of fine-tuning: the fun punk/metal/contemporary musical accompaniment was underutilized, leaving a few silent stretches that really needed underscore.
My overall impression
Most one-person shows appeal because of the performer, and a few because of the material. This one wins with both. Chamber Stevens’ charming and authentic-feeling 19th century British high-society-mystery/romance is expertly conveyed first person through a half dozen distinct character voices. Delightful for both the material and Darbianna Dinsmore’s skillful and endearing performance.
I was dimly aware of the story wrapping around the events of Pride and Prejudice, sort of Rosencrantz-and-Guildenstern-Are-Dead-style, but I don’t think any knowledge of that novel is necessary here.
Distinctly non-period music gives a fun modern bite to the story’s transitions.
