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What I liked
The most unique feature was the interesting lighting design, which kept most of the stage and cast in the shadows. This allowed the words to have a more powerful impact, making them truly stand-out so the message could be delivered loud and clear.
What I didn't like
nothing, although the lighting design was a bit distracting at times.
My overall impression
Irina Kampa is quite simply a force of nature. If you attended any of the pre-Fringe Office Hours functions, you could not fail to notice her. She brings that same energy to this production, wonderfully written by Victor Sotomayor, which reminds us that every adult was once a child, but only a few remember.
