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emotional roller-coaster
skillfully directed
edgy
gentle
master storyteller
riveting cast
tender
very moving
CHARLOTTE GULEZIAN
uncertified reviewer
June 16, 2017
A Shepardesque California Cowgirl story that will make you ache for what the past wasn't quite and revel and rejoice in your own disillusionment ...
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MARGUERITE FRENCH
certified reviewer
June 05, 2017
Fairchild handles hefty themes deftly and with magic, making a substantive play feel enlivening instead of draining. ...
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ARTHUR KENG
certified reviewer
June 13, 2017
A singularly beautiful piece of work. Fairchild's writing evokes a deeply lived life of heartbreak, humor, and resolve. Brilliantly realized performances all around. Would call out Darrett Sanders, in particular, whose portrayal of a deeply troubled yet unforgivable father is absolutely enthralling to watch....
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ZACH BROWN
uncertified reviewer
June 21, 2017
Really beautiful writing. If sam shepard were a woman. Great actors. The first scene was more powerful than the 2nd. Actors really handling the language with grace and strength and beauty. Loved the simple and transformative set and lights. I felt transported. Looking forward to more work from this writer. ...
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ANONYMOUS
certified reviewer
June 12, 2017
tagged as:
Emotional Roller-coaster
A roller coaster ride through human relationships. Loved it!...
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AIMEE LEVEY
certified reviewer
June 22, 2017
tagged as:
very moving
Such beautiful writing from a first time writer. Great actors. I was pulled in from the beginning. ...
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ASHLEY STEED
stage raw and la bitter lemons
certified reviewer
June 22, 2017
The first of playwright and actor Cecilia Fairchild’s two one-act plays is Family Tradition. The piece centers on Joan (Claudia Elmore) – an Oklahoma native living in LA – and her relationship with her dead father whose spirit keeps haunting her. It’s a darkly poetic tale of alcohol and abuse, and how blood binds us – sometimes against our will. Darrett Sanders deftly portrays the alcoholic father Leon with such pain and anguish that it’s difficult not to sympathize with this irredeemable man. Likewise, Elmore gives a nuanced performance as Joan, the daughter who hates her father for what he’s done to her, and yet cannot cast out his spirit.
Overall the piece could be tightened, and could use to incorporate comic relief as it’s a bit too ...
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