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1940's
1940s
@bingo
clever new musical
dan sugi
new york city
noir
twists & turns
broadway
detective story
enjoyable
ensemble musical
entertaining
fun
great music
immersive theatre
innovative
musical
musical comedy
stellar
who done it
witty
world premiere
SHARI BARRETT
certified reviewer
June 13, 2016
The highlight of Sugi's musical numbers is Roger's final solo "Then They're Gone" which Nathan Ondacek delivers through his heartbreak at falling for his best friend's gal. Being the honorable guy he is, there is a never a question he will ultimately do the right thing.
And be sure to chat up Nick Rubando (Jones/Reporter) when you first arrive as he strolls around the audience to create the 1940s world into which you have stepped. Tip your fedora, lift your martini to toast, and get ready for Dan Sugi’s musical mystery world premiere where everyone can have a really good time, even though New York City is quite a smelly place.
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BENJAMIN SCHWARTZ
certified reviewer
June 13, 2016
tagged as:
Twists & turns
Here's lookin at you, film noir lovers.
A hip, new musical called Broadway Noir is shakin’ up the joint with its catchy pop score and irresistible punchy dialogue.....
Full review at: https://giaonthemove.com/2016/06/12/gia-hff16-reviews-broadway-noir/...
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MICHAEL FONTAINE
my haunt life
certified reviewer
June 10, 2016
This was a great production. I would and have recommended this to friends....
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RYAN LUEVANO
certified reviewer
June 12, 2016
At this year’s Fringe Festival creator (music, lyrics, and book) Daniel Sugimoto brings us Broadway Noir an musical romp in 1940’s New York following the investigation of two detectives in search for a killer who’s murdered a musical’s leading lady—why would anyone do such a horrible thing? CLICK 'Original Article' FOR FULL REVIEW ON TIN PAN L.A....
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BOB LEGGETT
indie voice blog
certified reviewer
June 17, 2016
A good time will be had by all. Check it out....
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ELLEN DOSTAL
certified reviewer
June 20, 2016
This is a show that hasn’t yet decided what it wants to be. While it’s clear the company has put a great deal of effort into it and presents a polished, well-rehearsed production featuring strong vocals, some of the actors are playing it as a spoof and others are playing it straight.
According to the program notes, it is meant to be noir and the most interesting and successful scenes are those that honor director Julia Lisa’s vision. Max Lichtig (Carter) and Nathan Ondracek (Roger) nail the tone, as does Emily Decker (Zelda) as the sultry leading lady but most of the others are selling their performances and songs big and bouncy with a very contemporary delivery.
It isn’t completely their fault. Writer/composer Dan Sugi has given them...
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