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My overall impression
According to Wikipedia, there have been nine musical adaptations of Alexandre Dumas’ The Count Of Monte Cristo in the past fifteen years alone, leading one to wonder… Do we need a tenth?
The answer, at least for Hollywood Fringe Festival-goers, is no, not if it’s Kelly D’Angelo and Matt Daman’s well-intentioned but ultimately unsuccessful attempt to transform the 1844 tale of revenge into a musical for 21st Century tastes.
Click on “Original Review” to read my complete review at StageSceneLA.com.
