What I liked
I loved seeing this world through the eyes of Lady Macbeth instead of Macbeth. I love that Caitlin humanized a character that is so often villanized and found ways for us to feel for Lady Macbeth’s plight, particularly in the second half of the piece. Caitlin’s script is funny and insightful without sacrificing depth or making this a superficial parody. (Which are common place at Fringe).
Cesar’s direction is impressive. The wardrobe choices, lighting, music and sound design created a rich atmosphere that elevated an already compelling script. (I really love that Scottish ballad and the witches whispers). I loved that Cesar decided to go old school with the portrayal of blood and murder. It felt very theatrical in the best sense of the word. This is true THEATRE (read that with a British accent). He found a lot of little moments of humor through the blocking. The way he worked with the actors to create well-rounded performances also elevates the piece. You can tell he is a trained actor himself.
The casting. So many unique looks and faces. These are character actors who bring a very specific pov to the piece.
The cast are all very strong performers who understand the theatricality of this staging and leaned into it and into the comedy of the piece.
Caitlin’s performance as Lady Macbeth was layered and rich. She made me feel sympathy for Lady Macbeth but also laugh out loud.
Cece Rogina has always been a scene stealer and it was so great to see what she can do with a heftier role than what she did last year in my own play “I Hope You’re Having Fun in Hell, Dad”. She goes toe to toe with Caitlin’s Lady Macbeth and holds her own on stage. Cece Rogina gives a mesmerizing performance as Latilda, one of the witches and Lady Macbeth’s lover.
What I didn't like
I wish I had seen the Scottish play recently to truly appreciate the intelligence of the writer in her adaptation. Last time I saw read the original was almost 20 years ago, so it’s not super fresh. I think if I remembered the original better and could identify the easter eggs the writer has
There are some tonal shifts in the writing and directing around the middle of the script (it gets a bit too serious in the scene where Lady M dies and the scene after, when it had leaned heavily into the comedy before) that could be ironed out if the writer decide to work on this further, but this is me being nitpick-y.
My overall impression
Great writing, directing and performances make this a thoroughly enjoyable female-centered Shakespeare adaptation with it’s own unique personality and flair. If you love a sexy, funny, reimagining of the Scottish Play, centered on Lady Macbeth, this is a show for you!
If you have to choose one Shakespeare adaption to watch this Fringe, it must be Lady M!
