What I liked
First of all, this show was the perfect length. Given that the schtick is a bit dated at this point, the 30-minute format was sublime! Not one minute was wasted. Enright’s gift is in the lyrics – that is where he shines brightest.
This cast of two performers, Judi Dumroy and Travis Joe Dixon, were very funny, capable performers (both individually and together). The bits of choreography they employed in some of the numbers were spot on! People did lose their minds and patience during the pandemic and these actors were able to capture that insanity.
The set and lighting were appropriate. And Dixon deserves a costume bonus for the loving words on his boxer briefs.
What I didn't like
A few things stood out to me here that are worth mentioning. First, to come into a dark space is a wasted opportunity for audience to appreciate the set design. Having some lighting on the stage is a good thing.
Second, the door slamming got exceptionally loud. Too loud. And while I am talking about volume, there were times the actors were too loud. The Feury Studio is one of the smaller Fringe venues – full projection is not needed here.
Third, I would have loved to hear more of the advertisements/commercials played prior to the show starting.
My overall impression
While the world is already two years post global pandemic, very real memories linger about the widespread chaos that ensued in America. Stores were left empty of essentials and while for many, that meant no water was to be found, for the purposes of Charmin the Musical, it all boils down to the sacred, coveted toilet paper.
What happens when you run out? Should you risk you life to get it? How does a couple cope? Thankfully, Jon Enright’s witty, melodramatic musical showcases how Sheila and Henry deal with this crappy dilemma.
