What I liked
As a director myself, I applaud the nuances that Director, Natalie Dressel, churned out. Her casting is spot-on! Both Callie Ott (X) and Spencer Weitzel (Y) are powerhouses whose game of emotional tug-of-war never lets up. Their connection is raw and honest, but also has moments of tenderness. Each time the two actors break into dance is a moment of pure awesome.
Additionally, I loved that the judge, er, “Your Honor” sounded very familiar to every adult figure in the Charlie Brown television specials. The back and forth is a hoot!
I must also call out the attention to detail of the technical elements – particularly lights and sound. Both are notable in the show.
What I didn't like
Many themes are under investigation in Dog of Carnage. And it is quite a bit to unpack in just one hour.
My overall impression
This is my first time seeing a Benjamin Schwartz play. It will NOT be my last! The play title alone piqued my interest given my heavy admiration for Yasmina Reza’s award-winning play, God of Carnage. I predict greatness for this two-handed, serio-comedy as well.
The display of talent is apparent from the start and continues on throughout the duration of this hour-long play. With questions about commitment, mortality, and the human experience at the forefront, the audience serves as members of a jury, or at the very least, people in the courtroom. They get to witness a break-up that isn’t a break-up.
Do not let the title fool you, Dog of Carnage is not all cute puppy dogs chasing squirrels. Its relevance to today is spot on and will leave audiences pondering about what world we are potentially bringing our children.
