What I liked
I enjoyed the songs, the music, and LOVED the singing voices! I must gives shout-outs to Dagney Kerr who just completely embraces and transforms into any role that John Wuchte throws her way, Casey Alcoser who was such an all-in and fully committed performer (I can only imagine how exhausted he would be after a 90 minute show), and of course, Aubrey Clyburn whose stage presence is utterly engaging, hypnotic and charming! We will be seeing MUCH, MUCH more of her in the future!
I also really enjoyed all the projections that added to the narrative being shared.
What I didn't like
This was an ambitious, not entirely easy-to-understand show. I understand the entire beginning, middle and end and why it was set up with the three acts the way it was, but it was distracting transitioning between the three. Perhaps projections could have helped more.
Also, this particular production would benefit from a smaller space. Take away the use of bicycle on stage and the Main Stage is just not needed for five actors, chairs, some take-out Chinese cartons, chopsticks, a prop door, and microphones. My two cents…
My overall impression
Viv would be kvelling over what can best be described as a vivacious, visceral and versatile Kickboom classic! With the talented actors displaying some gorgeous harmonies, precision movements and a flash for storytelling, Wuchte has once again proven why his brand of theatre is unlike any and all others! Long may these shows continue to thrive and flourish at the Fringe!
