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Historical

MANSON'S GIRLS

musicals and operas · new musicals inc. · Ages 17+ · United States of America
“One of the best Musicals I have seen at Fringe.” A parable about those who follow the voice of authority without stopping to question. With a driving rock score. A brand new musical from New Musicals Inc.
“One of the best Musicals I have seen at Fringe.” A parable about those who follow the voice of authority without stopping to question. With a driving rock score. A brand new musical from New Musicals Inc.

EARHART: MORE THAN A F-ING MYSTERY (A MUSICAL FLIGHT)

musicals and operas · hagopian company · Ages 18+ · United States of America
Follow the life of Amelia Earhart as she breaks the odds, defies stereotypes, and sets out to prove once and for all that she is more than a f-ing mystery!
Follow the life of Amelia Earhart as she breaks the odds, defies stereotypes, and sets out to prove once and for all that she is more than a f-ing mystery!

GLORIA

solo performance · vintage collective · Ages 1+ · New Zealand
A fearless and fascinating one woman show that leaps into flickering wartime romances, swing time dance halls and lost sons to foreign fields. Set in Cincinnati, Ohio post WW2, GLORIA is the story of a New Zealand war bride facing adversity, struggling to find herself in exceptional circumstances.
A fearless and fascinating one woman show that leaps into flickering wartime romances, swing time dance halls and lost sons to foreign fields. Set in Cincinnati, Ohio post WW2, GLORIA is the story of a New Zealand war bride facing adversity, struggling to find herself in exceptional circumstances.

THE BOOK THAT I'M GOING TO WRITE, BY JUDY GARLAND

ladywatch productions · Ages 16+ · United States of America
Judy Garland is angry. Tasked with dictating her memoirs alone to a tape recorder, the legend's life story quickly gives way to the searing inner-rage & personal revenge fantasies of a woman left robbed & broken by decades of abuse in Hollywood, now living the profound heartbreak of not being heard.
Judy Garland is angry. Tasked with dictating her memoirs alone to a tape recorder, the legend's life story quickly gives way to the searing inner-rage & personal revenge fantasies of a woman left robbed & broken by decades of abuse in Hollywood, now living the profound heartbreak of not being heard.

ECHOES

fringe management · Ages 14+ · United Kingdom of Great Britain and Northern Ireland
BEST OF BROADWATER Award and Best International and Inkwell Theater Playwright Promise Nominee! Two added shows Friday June 29 at 9:30 p.m. and Sunday July 1 at 7:00 p.m.! An important and timely drama, by acclaimed UK playwright Henry Naylor.
BEST OF BROADWATER Award and Best International and Inkwell Theater Playwright Promise Nominee! Two added shows Friday June 29 at 9:30 p.m. and Sunday July 1 at 7:00 p.m.! An important and timely drama, by acclaimed UK playwright Henry Naylor.

A BEAST/A BURDEN

glass half productions · Ages 18+ · United States of America
Before Chris Burden became known to millions with his "Urban Lights" exhibit at LACMA, he spent his early years as the most controversial and subversive performance artist in the United States, putting himself and others in uncomfortable and sometimes dangerous situations for his art.
Before Chris Burden became known to millions with his "Urban Lights" exhibit at LACMA, he spent his early years as the most controversial and subversive performance artist in the United States, putting himself and others in uncomfortable and sometimes dangerous situations for his art.

THE TERRIBLE LEGEND OF VICTORIA WOODHULL

solo performance · the owl and the pussycat theatre co. · Ages 14+ · United States of America
Victoria Woodhull, clairvoyant, stockbroker and first woman to run for President of the United States in 1872, joins us from beyond the grave, in the light of Hollywood's recent #MeToo movement, to tell her tale and finally set the record straight.
Victoria Woodhull, clairvoyant, stockbroker and first woman to run for President of the United States in 1872, joins us from beyond the grave, in the light of Hollywood's recent #MeToo movement, to tell her tale and finally set the record straight.

BLACKBALLED

ensemble theatre · red flag media productions · Ages 13+ · United States of America
Following the team owners' struggles to bring their underfunded league to prominence despite the odds; "BlackBalled" is an intimate look at the rise and fall of Negro League Baseball.
Following the team owners' struggles to bring their underfunded league to prominence despite the odds; "BlackBalled" is an intimate look at the rise and fall of Negro League Baseball.

ANDY: THE RED-NOSED WARHOLA

immersive theatre · ezra buzzington · Ages 19+ · United States of America
SORRY, Andy fans. Due to severe cast conflicts, Andy can't appear at this year's feat. Maybe next year again!
SORRY, Andy fans. Due to severe cast conflicts, Andy can't appear at this year's feat. Maybe next year again!

INGERSOLL SPEAKS - AGAIN!

solo performance · lean dog mean dog productions · Ages 10+ · United States of America
INGERSOLL SPEAKS - AGAIN! ROBERT INGERSOLL (1833-1899) THE GREATEST AMERICAN YOU’VE NEVER HEARD OF! FATHER OF AMERICA'S GOLDEN AGE OF FREETHOUGHT, HE WAS ALSO THE GREATEST FOE RELIGION EVER FACED IN THIS NATION. EARNING HIM THE NICKNAME - "THE GREAT SATAN."
INGERSOLL SPEAKS - AGAIN! ROBERT INGERSOLL (1833-1899) THE GREATEST AMERICAN YOU’VE NEVER HEARD OF! FATHER OF AMERICA'S GOLDEN AGE OF FREETHOUGHT, HE WAS ALSO THE GREATEST FOE RELIGION EVER FACED IN THIS NATION. EARNING HIM THE NICKNAME - "THE GREAT SATAN."

THE IMPORTANCE OF BEING OSCAR

fearless imp entertainment · Ages 14+ · United States of America
'The Importance Of Being Oscar' follows Oscar Wilde at the end of his life. Released from prison, he discusses love, loss, morality and lack thereof. A whimsical and heartbreaking tribute, laced with Wilde’s own words.
'The Importance Of Being Oscar' follows Oscar Wilde at the end of his life. Released from prison, he discusses love, loss, morality and lack thereof. A whimsical and heartbreaking tribute, laced with Wilde’s own words.