Dan Ruth

The title to Derek Heeren's solo show is just flat-out bloody creative. "I Suck - A Vampire Comedy," is equal parts brilliant, charming and funny AF, but one thing's for sure, it does not suck. Like several other shows in the Fringe that take place in the therapist's seat, "I Suck" leaves no blood-soaked gravestone unturned as the mild-mannered, dare I say "beige" Heeren explores his darker, historically hilarious Vampiric world (and underworld) only to find peace at last. And yes, Derek, I do of... full review

"Army Brat" details her life experiences with a strident father who favors corporal punishment over fatherly affection. With her loving sister by her side, Mullis succeeds in shattering through the glass of her malevolent childhood and into a life of a magical and supportive creative woman. ... full review

In a perfect world, I would love every night to be like "Something Spooky," Jon Schnitzer's latest brilliantly clever and dark work of paranormal comedy. Loaded with good laughs, spooky stories, special effects, and true paranormal video footage, this show is a gift to fans of horror films, the occult and the world of the esoteric. Brilliantly underscored by the music of Alexander Burke. Much like the rest of the audience present last night, I was with Schnitzer all the way, on the edge of my sea... full review

Shahin Sayadi's "Ritual Music to Cure a Lover" is one of the most fascinating performances of this year's festival. Sayadi is quite mesmerizing as he explores in fine detail, an ancient Persian love poem, and brings it full circle into modern day culture, with a pointed light directed at the youth of Iranian society. You're doing yourself an injustice if you don't join Shahin Sayadi on his impeccably staged journey.... full review

You will not stop thinking about Edib Farhan's beautiful and bubbly intergalactic "Syrian Soap" for a long time to come. This hilarious and charming show, which is part clown, stand up and improv, explores ancestry and politics, keeping its darker roots under cover and well-soaked in comedy, not unlike the political satires and absurdist theatre of Post -WWII. One of this Fringe's finest pieces of theatre.... full review

"Emotional Alpha" is a very clever and very funny male-centric solo performance. Andrew Knox stands out on top for his bold and effortlessly over-the-top portrayal of Eleos Richards, a "licensed male emotions specialist." Knox's character may be big and bold, but each time he morphs into song, he will melt your heart (even if you don't want to admit it). This Buzz Lightyear of vulnerability is here to prepare you for hetero & homo-hilarity and to teach a few life lessons along the way. Often sur... full review

One of the most anticipated musicals of the Fringe, based on one of the worst films ever made, "Nilbog: The Troll 2 Musical," is worth the wait. Even though it seemed I was the only one in the theater screaming "Oh my Goooood" with the actor on stage, it's true what they say, you don't need to see the film to enjoy this ridiculous and hilarious send-up of bad acting, creepy green backwoods cretans, vegetarianism, popcorn and cholesterol, as this rambunctious and outstanding cast utilize nearly ev... full review

Pamela Eberhardt's "Strait Jacket Sirens" could very well be described as "Big Doll House" at Lilith Fair. This show features four rocking powerhouse female singers, and they bring the comedy goods. They have all been wrongly imprisoned by bumbling, idiotic men (aka, men) tossed into straight jackets and electric shock collars and they're ready to rock you with some great 90's female indi hits. Not to worry however, because thanks to a fifth, they succeed in escaping, and unleashing their reveng... full review

For lovers of cabaret and Broadway musicals, Kelly Krauter’s “Rosie’s Turn” stands in a light where few can follow. Teetering on a pinnacle between brilliant and silly, this show about a Broadway wanna-be and a tap-dancing subway rat that steals her thunder is masterfully crafted and deliciously danced and sung by Krauter, who is not only a musical revelation all her own, but also bears an amazing resemblance to Liza Minnelli. Loaded with sight gags and Broadway/show tune Easter eggs, “Rosie’s Tu... full review

You can file the title under "camp" if you wish, but file Joe Hutcheson's solo show under "exquisite." Hutcheson has arrived from New York City with a performance that is charming, very funny, and very personal. What sets this piece apart is the stellar writing. Armed only with a folding fan and a magical script that is loaded with tangible imagery, Southern charm, and cheap wine, Hutcheson delivers a story that you will not soon forget. With no projections and no trickery, Hutcheson's delightful... full review