Kat Primeau

Despite solid performances from the ensemble, I struggled to understand the world of the story and go along for the frenetic, at times violent ride. Having more personal knowledge of Mel Gibson likely would have helped to hook me in to this antiheroes journey.... full review

I've never seen the documentary "King of Kong" but thankfully, I didn't need to to enjoy this funny musical parody! Both actors are comedic powerhouses, they killed the choreography and rode some technical difficulties like pro's. ... full review

Sleeping Around is a funny, sincere, beautifully honest, and tightly directed take on modern intimacy, or the lack thereof. I laughed out loud, I cried at the truthfulness of the piece, and I thoroughly enjoyed the talented ensemble and all they put into this production!... full review

Best episode yet!... full review

Gotta love a show which features two grown men covered in bird shit! Strongly acted, chock full of interesting facts, this show is smart and sharply done. I seem to have 'missed the boat' on the stakes and the reality of the premise, however, so the 2nd act dragged for me. ... full review

Charming and well-conceived with a powerful punch at the end.... full review

Coeurage continues to produce high-quality classical theatre with panache, and 'Is He Dead?' does not disappoint. Twain's slapstick comedy raises the bar for fringe audiences on the hunt for something with a little more substance, with beautiful period costuming, razor sharp direction, and a taut ensemble led by the endlessly hilarious Deven Simonson. I cannot wait to see this company continue grow and garner more fans, a fate they most certainly deserve!... full review

Soson's play feels like an updated This Is Our Youth, with more laughs, more heart, and more characters to love to hate. Frighteningly realistic, The Lights Are Off addresses college drug use, relationships, abuse and violence with a refreshing poetry and candor. Bookended by beautiful live music, acted by a promising young ensemble, and co-produced by the ever-effervescent Priscilla Watson, TLAO and The Working Theatre are sure to be one of the stronger ensemble showings at the Fringe.... full review

Pure theatrical foreplay, Mitchell's three movements teased and enticed and left me feeling all hot and bothered. Seriously. It was a sensation built throughout the production, and not fully realized until I left the theatre for the light of day, but sex was there in all of it's awkward, funny, over-powering glory. Alla Poberesky's husky voice lends to a commanding and sensuous performance, which was pleasantly grounded by Michael Sanchez' candid dweebiness in an overall sharply-written, strong... full review

I love magic, and Jon did not disappoint. Like a show straight out of the Magic Castle, he was genuinely funny and truly engaging. If you aren't lucky enough to get in to the Castle yourself, gather around his table for some close up slight of hand that will have you wondering, "what the...?" long after you leave.... full review