Kat Primeau

Stupid Songs was a hoot! Everyone had stellar vocal chops, the staging was simple and effective, and the energy of the piece as a whole was really fun and engaging. At times, I wished there was a narrative thread or uniting theme for the show (hard not to compare a comedic musical revue to fringe regulars, Lost Moon Radio), but ultimately the show's cohesion rests in the very timely, fresh comedic perspective (a love song to Robert Durst? Hilarious) apparent in each song. Not a dud in the bunch -... full review

Dear Hollywood is a quick, funny piece chock full of physical comedy and charm, delightfully played by a glowing Julisa Wright. It's a treat to watch her have so much fun on stage! ... full review

Despite solid performances from the ensemble, I struggled to understand the world of the story and go along for the frenetic, at times violent ride. Having more personal knowledge of Mel Gibson likely would have helped to hook me in to this antiheroes journey.... full review

I've never seen the documentary "King of Kong" but thankfully, I didn't need to to enjoy this funny musical parody! Both actors are comedic powerhouses, they killed the choreography and rode some technical difficulties like pro's. ... full review

Sleeping Around is a funny, sincere, beautifully honest, and tightly directed take on modern intimacy, or the lack thereof. I laughed out loud, I cried at the truthfulness of the piece, and I thoroughly enjoyed the talented ensemble and all they put into this production!... full review

Best episode yet!... full review

Gotta love a show which features two grown men covered in bird shit! Strongly acted, chock full of interesting facts, this show is smart and sharply done. I seem to have 'missed the boat' on the stakes and the reality of the premise, however, so the 2nd act dragged for me. ... full review

Charming and well-conceived with a powerful punch at the end.... full review

Coeurage continues to produce high-quality classical theatre with panache, and 'Is He Dead?' does not disappoint. Twain's slapstick comedy raises the bar for fringe audiences on the hunt for something with a little more substance, with beautiful period costuming, razor sharp direction, and a taut ensemble led by the endlessly hilarious Deven Simonson. I cannot wait to see this company continue grow and garner more fans, a fate they most certainly deserve!... full review

Soson's play feels like an updated This Is Our Youth, with more laughs, more heart, and more characters to love to hate. Frighteningly realistic, The Lights Are Off addresses college drug use, relationships, abuse and violence with a refreshing poetry and candor. Bookended by beautiful live music, acted by a promising young ensemble, and co-produced by the ever-effervescent Priscilla Watson, TLAO and The Working Theatre are sure to be one of the stronger ensemble showings at the Fringe.... full review