Bill Prudich (he/him)

This show, made up of two solo pieces, is absolutely delicious. It circles around identity—how we see ourselves and how others see us—in ways that are funny, touching, and quietly defiant. I don’t want to say too much, because part of the joy is in the surprises the performers and producers have baked in, but I definitely wanted more from both pieces in the best possible way.... full review

Becoming Apparent is a mesmerizing, deeply felt journey into motherhood, memory, and the body, told through a dreamlike, fractured lens that never feels confusing or indulgent. Olga Konstantulakis builds a modern myth out of her own story, showing how trauma lives in the body and how healing rarely moves in a straight line. The piece is raw, tactile, and emotionally precise; I was fully pulled into her world and left feeling shaken, understood, and inspired.... full review

Dragged is a sharp, funny, and surprisingly tender piece that uses the energy of a drag show to dig into very real questions about relationships, identity, and how cruel “entertainment” can get when people’s private lives are put on display. It feels current without being preachy, taking a very “today” premise—publicly exposing someone’s personal life onstage—and pushing it into something both entertaining and uncomfortable. I left feeling like I’d seen something fresh: a show that starts as camp... full review

Something Spooky delivers exactly what it promises: true tales of the strange and frightening, told with a big, beating heart underneath the scares. One moment you’re laughing at Jon Schnitzer’s ridiculous family stories, and the next you’re genuinely tensing up, waiting for the next chill. It feels like being at a late-night sleepover with a master storyteller who knows exactly when to lean into the humor and when to let the darkness creep in.... full review

Both pieces made for a really satisfying night of theatre. Each one was smart, funny, and surprisingly moving, with staging that kept things lively and clear without ever feeling fussy or overproduced. I felt fully entertained and genuinely appreciated how thoughtfully both scripts balanced humor and pathos.... full review

On the Line is a gripping, unsettling piece of theater that really stays with you. Emily Clark, Lucas Alifano, and Jeff Scot Carey pull you into this small Seattle call center and keep the tension simmering all night. The writing and direction by Pamela Eberhardt and Dan Testa keep the story clear and focused while letting the unease build in a very natural way. I left feeling shaken, disturbed, impressed, and genuinely grateful I got to see this team’s work. There is a content warning about gra... full review

I really enjoyed the piece overall. It felt fresh and engaging without trying too hard, and I was drawn in by its originality and clarity. The story unfolded in a way that was easy to follow but still emotionally meaningful, and it left me with a genuine sense of connection to the world onstage. It was a well-shaped production that knew what it was doing.... full review

I left feeling really moved and honestly kind of surprised by how much it stayed with me. It’s one of those pieces where you can feel the care and intention behind every moment, but it never feels forced. I found myself laughing more than I expected—especially with the puppetry—but then getting pulled into something much deeper without even realizing it. What really landed for me was how grounded and human it all felt, especially through Eve’s experience. It didn’t feel like it was trying to prov... full review

A Must See! - “Three Eulogies for Tyson Miller” is a compelling and emotionally resonant one-act that explores grief and the stories we tell ourselves about the people we’ve lost. The shifting timelines and fractured structure work well here—they mirror that disorienting feeling of trying to piece someone together after they’re gone. It packs lots of emotion into a tight 70 minutes that doesn’t overstay its welcome. Bring tissues, you're gonna need them. ... full review

Overall, I really enjoyed Homecoming. It’s a heartfelt, relatable piece that explores grief and the complicated relationships we have with our parents in a way that feels honest and accessible. Dara doesn’t try to over-explain or neatly resolve anything, which makes it land more truthfully. Audiences will connect to it—it’s the kind of show that quietly stays with you after. And I laughed alot!... full review