Hedda Gabler

What I liked

Having seen the original run of shows in April, I was curious what would be different in this revised Fringe production. The cast has clearly deepened the relationships between each of their characters, and these connections practically leap off the stage — certain moments are so fraught with tension you can’t help but laugh, otherwise you’ll cry. The doses of magical realism, especially as applied to Marti Skoler’s captivating Berte, greatly help the nightmarish reality of Hedda’s terrifying situation.

What I didn't like

I think audience members should feel comfortable laughing more. Perhaps it was just me, but I find this show quite funny.

My overall impression

This production is electric. Ibsen’s 19th century ideas are injected with fresh urgency through the combined skills of the cast and creative team. Meg Cashel as Hedda in particular perfectly toes the line of poisonous and seductive, anchoring the rest of the cast in a darkly funny downward spiral. The luminous set reinforces the themes of isolation and is extra impressive considering the quick in-and-out nature of Hollywood Fringe. Would recommend to those both familiar and unfamiliar with Ibsen!